Movies - The Oscars postsMonday January 26, 2009
"Slumdog"? Final Answer
I was thinking similar thoughts when “Slumdog” won the Producers Guild Award over the weekend. Sure, the PGAs picked “No Country for Old Men” last year, which went on to win best picture, but the year before they went with “Little Miss Sunshine” (no), and the year before that, “Brokeback” (unfortunately, no), and the year before that, “The Aviator,” and in 2001, “Moulin Rouge!” Not exactly tea leaves.
I was ready to raise similar flags of caution when “Slumdog” won the cast award from the Screen Actors Guild, since that award predicts the Oscar-winner only 50 percent of the time. But then a different thought hit: “OK, how often has a movie won all three awards and not won the Oscar for best picture?”
Answer? In the 12 years since the SAG awards arrived on the scene, the GGs, PGAs and SAG cast award have agreed only three times: in 1999, with “American Beauty”; in 2002, with “Chicago”; and in 2003, with “Lord of the Rings: Return of the King.” All of those films went on to win the Oscar.
I’m still waiting on the DGAs, but more and more it looks like “Slumdog” is the final answer.
B.O. for Best Pics
“Plus de 4 millions de Shrektateurs”
That 4 millions isn’t euros; it’s people. It’s asses in the seats. That’s how movie popularity is tabulated in France. As opposed to in the U.S. where it’s all about the dollars, and where, if you’re paying any attention at all, you have to adjust for inflation to get the true measure of a movie’s popularity.
Feel free to let each measurement stand for each culture.
So it’s the Friday after the noms and the studios are busy things. Universal, unwilling to do the heavy lifting for “Frost/Nixon” in December, is finally expanding Ron Howard’s film from 153 theaters to more than 1,000. Other films that are expanding: “Slumdog Millionaire,” “The Wrestler,” “Rachel Getting Married,” “Revolutionary Road.” There’s a pattern, and it follows the pattern of previous years, and it’s getting a little old.
That said, here’s how the best picture nominees look in terms of box office before the expansion:
|Movie ||Domestic $ ||Thtr High ||2008 BO Rank |
| The Curious Case of Benjamin Button ||$104M||2988||22|
| Slumdog Millionaire||$44M||582||62|
| The Reader||$8M||507||148|
Kudos to the way Paramount handled “Benjamin Button.” It put it out there in December. It didn’t wait for the Academy to bestow what it would. More congrats to Fox Searchlight who pushed “Slumdog” in the right ways.
But — and I’ve said it before — what lazy bastards over at Universal. In some ways “Frost/Nixon” is the most accessible of these films and yet it is, until the noms, the least-available. 145th??? I’m almost hoping it bites it at the box office during the next few weeks. Just to show Universal. Of course they’d probably take the wrong lesson away from the experience and stop getting involved in films like "Frost/Nixon" altogether.
Meanwhile, their art-house division, Focus Features, rumored to be on life-support, appears to be doing nothing with “Milk.” Of the little-seen best picture nominees, it’s the one that’s not expanding, and it's the one, along with "Slumdog," that's most deserving of a big audience.
Feel free to let that irony stand for the culture.
Note to the Academy: Why So Serious?
The Oscar nominations were finally announced this morning, and, as soon as Forest Whitaker said “Frost/Nixon,” alphabetically passing up “The Dark Knight,” I knew that, unless the Academy subscribed to Comcast’s idiotic system of alphabeticization, they had turned their backs on the Batman. Bummer. I was beginning to root for him.
So after all of the guesses, here and here and here, these are our (or their) best picture nominees:
The Curious Case of Benjamin Button
What does this mean? As I wrote last January, since the Academy finally settled on five best picture nominees in 1944, there have only been six years when there wasn’t a top 10 box office hit among the nominees: 1947, 1984...and the last four years in a row: 2004, 2005, 2006 and 2007. This year, unless “Benjamin Button” can make another $50 million without getting swamped in the process (it’s currently at $103 million), it’ll probably be five years in a row. Stunning.
In the past I didn’t quite know who to blame for this divide between supposed popularity and supposed quality. The Academy? The studios? Moviegoers? But not this year. “The Dark Knight” was a critically acclaimed, monster box office hit with tons of buzz. In terms of domestic, unadjusted dollars, it was the no. 2 movie of all time. Yes, it was about superheroes, and no superhero film has been nominated before; but before “Lord of the Rings” no fantasy film had been nominated, either. The rule sticks until something breaks it. This year? Didn’t break. And it was the year to break it. We’re not talking about crap like “Spider-Man 3.” We’re talking about a pretty good movie. One of the five best of the year? Maybe. I’d take it over “Frost/Nixon” and “The Curious Case of Benjamin Button” anyway. Don’t know about “The Reader” yet. Haven’t seen it. (Psst. It’s about the Holocaust.)
Besides, in the past, the Academy has nominated some popular but fairly suspect films for best picture. “Love Story”? “The Towering Inferno”? “Three Coins in a Fountain”? “Ghost”? It’s hardly a body to hold its nose.
Given the chance, who would I have nom'ed? I don't know. Because of the studios' idiotic system of rolling the best films out in piecemeal fashion at the end of the year, I haven't seen, oh, “Doubt” or “The Reader” or “Revolutionary Road” yet. I'd definitely nom “Milk” and “Slumdog.” I'd think about “In Bruges” and the forgotten but expertly crafted and genre-busting (or genre-solildifying) “Appaloosa.”
And I'd think about “The Dark Knight.” More than the Academy seemed to anyway.
ADDITION: Yeah, should've known. Harvey Weinstein was the man behind the push for “The Reader,” just as he was the man who pushed “Shakespeare in Love” to the crown in '98. Shame. Much talk about the next Batman villain. I suggest “Weinstein.”
And Then There Were Nine...
According to Variety, the Academy Award's best foreign-lanuage film category is down to nine:
- Austria, "Revanche," Gotz Spielmann, director
- Canada, "The Necessities of Life," Benoit Pilon, director
- France, "The Class," Laurent Cantet, director
- Germany, "The Baader Meinhof Complex," Uli Edel, director
- Israel, "Waltz with Bashir," Ari Folman, director
- Japan, "Departures," Yojiro Takita, director
- Mexico, "Tear This Heart Out," Roberto Sneider, director
- Sweden, "Everlasting Moments," Jan Troell, director
- Turkey, "3 Monkeys," Nuri Bilge Ceylan, director.
DGAs, PGAs, AAs, Blah Blahs,
The Directors Guild of America came out with their nominees for best picture yesterday and it's the same five as the PGAs, which is the same five as Entertainment Weekly went with last week, which is the same five that insider friend of Jeffrey Wells picked in early December:
The Curious Case of Benjamin Button
The Dark Knight
Does that mean we're down to it? Is this the list the Academy will wind up with? Perhaps.
The big question is: Have the PGAs and the DGAs ever agreed on all five nominations, and, if so, what was the Academy response?
Yes to the first part. Two years ago, both the PGAs and the DGAs agreed on all five picks: Babel, The Departed, Dreamgirls, Little Miss Sunshine and The Queen. But the Academy went with only four of the five, opting for Letters from Iwo Jima over Dreamgirls. That could happen again. Hell, it might even be a Clint Eastwood movie again.
The big question is still Dark Knight. A superhero film has never been nominated best picture. But, if reports are to be believed, some members of the Academy are tired of how marginalized best picture nominees have become and want a blockbuster in there. DK is certainly that.
And keep in mind: DGA and AA best pic nominees are more likely to agree than not. Of the 40 films both bodies have nominated this decade, they've agreed on 34. Four years in a row (2002-2005), there wasn't a difference between the two.
We'll find out for sure on January 22.
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