Movies - Box Office postsMonday July 02, 2018
Box Office: Dinos vs. Cartoon Supes
Roaring louder abroad.
This past weekend, a week after its opening, “Jurassic Park: Fallen Kingdom” dropped nearly 60% but still finished first with a $60 million haul. Two weeks after its opening, “Incredibles 2” fell 43% and was No. 2 with $45 million.
But let's look deeper.
“Jurassic/Fallen” has thus far grossed $264 million domestically, which, among “Jurassic” films adjusted for inflation, ranks dead last. In a few days it will pass up “Jurassic World III,” which grossed the equivalent of $293 million in 2001, but probably won't make it past “The Lost World: Jurassic Park,” which grossed the equivalent of $457 million in 1997. So domestically, among Jurassic films, it will be fourth of five. Not a huge success.
“Incredibles 2” has thus far grossed $439.7 million, which, among Pixar films adjusted for inflation, ranks fourth of 20. It will probably pass them all. Unadjusted, the biggest domestic Pixar flick is “Finding Dory,” grossing $486 a few summers back. Adjusted, it's “Finding Nemo,” which grossed the equivalent of $516 mil in 2003. Expect “I2” to be top of the heap in both categories. So a huge success.
But that's just domestic. If you go global, “Jurassic” stomps “Incredibles.” It's grossed nearly $1 billion worldwide—meaning including U.S. receipts). “I2” is at $646 million.
So which would you rather be: 1) critically well-received, domestically on top of your clan but losing out on hundreds of millions internationally, or 2) critically received with a shrug and a sign, a domestic disappointment among your clan but killing it internationally?
Several other films opened well: “Sicario: Day of Soldado” grossed $19 mil, which is nearly half of the original's total gross in Sept. 2015; and “Uncle Drew,” which stars Shaq, Nick Kroll and the suddenly omnipresent Tiffany Haddish, and which took in $15 mil.
Some good news for people who care about quality cinema and documentaries: the fourth weekend of “Won't You Be My Neighbor?” is in a dead heat with the sixth weekend of “Solo: A Star Wars Story”: $2.29 mil. With $7.4 mil, “Neighbor” is the second-highest-grossing doc of the year after “RBG” at $11.5.
Box Office: ‘Jurassic’'s Roar Ain't What It Used to Be
Right. This again.
“Jurassic World: The Fallen Kingdom” grossed $150 million at the U.S. box office this weekend, which is the 20th biggest domestic opener ever, but it's kind of ho-hum. It's down nearly 30% from the previous movie, which opened to $209 in 2015.
These are the tentpole films that opened bigger than expectations or previous iterations in 2018:
- “Avengers: Infinity War”
- “Black Panther”
- “Incredibles 2”
And there are the movies that opened down from expectations or previous iterations:
- “Jurassic World: Fallen Kingdom”
- “Solo: A Star Wars Story”
Apparently superheroes are still ascendant. Domestically. Internationally, “Jurassic” has already grossed $561 million. Somehwere, somehow, people will see their dinos.
I admit, I had zero interest in seeing this thing and the 50% Rotten Tomatoes rating didn't help. This morning, though, I realizes its new director, J.A. Bayona, was the dude who made “El Orfanato” in 2007, which is one of my favorite horror movies. Now I'm a little intrigued. Will have to see what the wife says. If she's up, maybe.
But yeah, I know: Directors of tentpole films can only do so much. Can't even imagine what it's like to deal with all of those corporate hands.
Elsewhere, “Incredibles 2” fell 55%, which is a lot of an animated kids movie, but then it opened bigger than any animated kids movie ever did. After 10 days, it's at $350, which is already the fourth-best box office for a Pixar flick. No. 1 is “Finding Dory” at $486. It‘ll pass that soon.
“Ocean’s 8” grossed another $11.6 mil to eke over the $100 million mark in its third weekend. Bullock's reign continues. Has anyone seen it?
Brad Brevert at BOM brings up an interesting stat: This is only the second time that two different movies opened north of $100 million in consecutive weekends. Of course, the first time it happened, it wasn't exactly anything to crow about: “Shrek the Third” followed by “Pirates of the Caribbean: At World's End” in 2007. Blah.
Box Office ‘Incredibles 2’ Shatters Animated Mark
Animated movies tend to open slower than the other kind but have longer legs. Before this weekend, the biggest animated opener was Pixar/Disney's “Finding Dory” in 2016, which opened to $135 million in 4,305 theaters. That's the 25th best opening ever. We rush to the other kind but I guess it's sometimes hard to get the kids, or their parents, organized for opening weekends. Plans.
Not this weekend. Now “Dory” is the 26th-biggest opening because Pixar/Disney's “Incredibles 2” opened to $180 million. That's eighth-best all-time. It shattered the animated mark by nearly $50 million. It jumped 33 percent. As Frank Tarkenton used to say, that's incredible.
(BTW: The best opening for an animated non-sequel? This, at $104 million.)
Elsewhere, “Ocean's 8” dropped 53% to finish second with $19 mil and a cumulative $79 mil. The men-will-be-boys comedy “Tag” (RT: 56%) opened to $14.6 and third place, while the “Superfly” reboot landed in seventh with $6.3. John Travolta's “Gotti,” with its infamous 0% RT rating, slept with the fishes: $1.6, 12th place. Just ahead of it? The 15th weekend of “A Wrinkle in Time,” which got a theater boost (+85), and perhaps a publicity boost from Brie Larson vis a vis the preponderence of white male critics, to gross another $1.7, which allowed it to finally gasp over the $100 million domestic mark, at $100,000,127. Its worldwide gross is $132.
Speaking of gasping: Fourth place was occupied by “Solo: A Star Wars Story,” which earned another $9 mil for $192 million domestic. How low is that? If you adjust for inflation, it's the lowest-grossing among the 10 “Star Wars” canon movies. The previous record was the second prequel, 2002's “Attack of the Clones,” which grossed the equivalent of... $476 million. So a bit of a drop. That's also Disney, of course. So moviegoers giveth and taketh. And sometimes we can only taketh so much.
Box Office for ‘Solo’: A Great Disturbance in the Force
Did you know “Solo: A Star Wars Story” is the first “Star Wars” movie to open in more 4,300 theaters? Twenty other movies have done that—superhero movies, mostly—but none were in the “Star Wars” franchise. The previous biggest for “SW” was the last one, “Star Wars: The Last Jedi,” which opened in 4,232 theaters last December and grossed $220 million over three days.
“Solo” opened this weekend in a little more than that, 4,381 theaters, and grossed a little less than that: an estimated $83 milliion.
How does that rank? Among the 21, it's 16th-best. That's not supposed to happen to “Star Wars” movies.
How does it rank among “Star Wars” openings? Harder to judge. The first one, after all, opened in 1977 in 43 theaters. Unadjusted, “Solo” is fifth-best. But the three other “Star Wars” movies that opened north of 4,000 theaters grossed the following: $247, $220 and $155 million. $83 looks pretty flimsy by comparison. Call it a great disturbance in the Force. It's as if millions of voices suddenly said “Nah” and walked away and did something else.
The question is why.
I assume it's a combination of “Star Wars” fatigue, some mild disappointment in recent “Star Wars” movies, and lukewarm reviews. The movie had a troubled birth, too. Original directors Phil Lord and Christopher Miller (“The Lego Movie,” “21 Jump Street”) were fired early in the project and Ron Howard was tapped to step in. Much felt unimaginative about it. Emilia Clarke—again? Woody Harrelson—again? One of the biggest complaints I heard was casting Alden Ehrenreich as the young Solo. He's a good-looking kid, but he often plays wide-eyed (“Rules Don't Apply”) or wider-eyed (“Hail, Caesar!”). He doesn't exactly have the knowing smirk of Harrison Ford. I guess the movie is how he acquired that smirk but that's not what people want to see. People want to see Harrison Ford.
Is this one of those instances where the actor matters? Stephen Metcalf has a piece in the latest New Yorker entitled “How Superheroes Made Movie Stars Expendable: The Hollywood overhauls that got us from Bogart to Batman.” For anyone who's been paying attention, it's sort of a no-shit-Sherlock headline. At the same time, the actor replacing the actor who previously played the character has to be right. Good luck, for example, finding a new Iron Man. Or, apparently, a new Han Solo.
Shining City on a Hollywood Hill
It still astounds me that one of America's most successful industries is forever being disparaged by the political party that claims to care about American industry.
This is from two weeks ago on box office mojo:
Look at that. What other country can do that? None. I‘ve written about the box office of “Wolf Warrior II” and other Chinese films, as well as the fact that China is on the verge of becoming the world’s No. 1 movie marketplace. But Chinese films don't travel well. Few besides the Chinese go see them. The world goes to see Hollywood films.
Americans don't comprehend how much Hollywood dominates the world maybe because we‘re used to it and maybe because we’re too close to it, but it's stunning and has real-world consequences. China Daily just posted an article on the number of Chinese students who come to the U.S. to study. Their lede is about a young man from Henan province who became determined to study here after seeing a Hollywood movie (“High School Musical”). He's not alone. People don't come here just because there's greater freedom, or because within a generation your family can become American—in a way that you can never become, say, Chinese or French. It's more than that. It's the movies. The shining city on a hill has a Hollywood sign on it.