There are a lot of stories making the rounds about this year's Oscar nominations. Both “American Sniper” and “Mr. Turner” did surprisingly well while “Selma” was all but denied. As was “The LEGO Movie.” As was “Life Itself,” the documentary about the life and death of film critic Roger Ebert. But then its director Steve James also directed the hugely acclaimed “Hoop Dreams,” which went unnominated in the documentary category in 1994. So ... fool me twice, I guess. 

But for me, the big story is still the box office. Its lack. 

Here are your eight best picture candidates, their domestic box office totals, and their widest distributions:

Reminder: in 2009 the Academy broke a 60-plus-year tradition and expanded its best picture candidates from five to 10 mostly because popular movies weren't getting nominated and people were turning away from the Oscar broadcast. The Academy didn't want to become marginalized. Thus: 10 nominees. Then five to 10. 

And it seemed to work. 

In 2009, the Academy nominated five pictures that grossed more than $100 million domestic, including Nos. 1, 5 and 8 on the year (“Avatar,” “Up” and “The Blind Side”). In 2010, five more with more than $100 mil, including Nos. 1 and 6 on the year (“Toy Story 3” and “Inception”). 2011 was a step back: just one with > $100 mil domestic, “The Help,” which was the 13th most popular movie of the year. In 2012, six movies breached $100 million, but none higher than 13th: Spielberg's “Lincoln.” Last year? Four, including the sixth-highest-grossing film, “Gravity.” 

And this year? The highest-grossing film topped out at $59 million and 53rd place for the year.  

It's actually worse in the acting categories. The highest-grossing film in Best Actor is “Imitation Game” at $42 million; in Best Supporting Actor, it's “The Judge” at $47. Rosamund Pike's “Gone Girl” ($167) and Meryl Streep's “In the Woods” ($106 and climbing) at least get us over the $100 million mark, but they're the only two among the 20 acting candidates. Everythign else is below $50 million.

This will change, obviously, but by how much? “Into the Woods” will do better but not because of Oscar. I could see “Imitation Game” gaining some moviegoers. Will they expand “Birdman”? Will they re-release “Whiplash”? Are people psyched to see “American Sniper” now? Will its distributor let folks outside NYC and LA see it?

It's a bit worrisome. In 2009, when the Academy expanded its best picture category, I created the following to chart to indicate why it had done so:

 The Annual Box Office Rankings for Best Picture Nominees, 1991-2008*

* Best picture winner represented in red.

Then for comparison's sake, I added this one. 

 Here's this year's nominees:

Yes, I'm concerned that the stories we share these days tend to be cartoonish; that there are fewer and fewer serious stories that we all know and care about. I think this is helping an increasingly fragmented and polarized society become more so.

But mostly I'm worried about what the Academy might do to rectify the situation. Particularly if the ratings tank on Feb. 22. 

Among the nominees, Wes Anderson was most popular at the box office. It's a position he's never been in before.