Friday September 04, 2015
Movie Review: Laggies (2014)
I wanted to like it.
It’s set in Seattle, and directed by one of our own, Lynn Shelton, who’s super pretty. I liked the scene in the trailer where Megan (Keira Knightley) twirls the “Tax” sign to stir up business for her accountant father, Ed (Jeff Garlin). No one in the movie gets super powers, nothing blows up but relationships. I wanted to like it.
But I got a bad vibe early.
It begins with found footage, a senior prom escapade from 10 years earlier. Four girls get drunk, get naked, swim in a skanky hotel pool. They laugh. They’re having an adventure.
Cut to today, where three of the four are soft and self-satisfied in motherhood and matrimony. Only Megan feels like this isn’t for her.
We’re supposed to sympathize because her friends are silly and have bad taste. She’s also, of course, with the wrong guy, Anthony (Mark Webber). You can tell he’s the wrong guy because he’s dull and has a receding hairline. He talks up a “personal development seminar” on Orcas Island in which you choose an animal to help with your behavorial patterns. His is a shark—a reminder to keep going or sink. And it works. After 10 years, he finally proposes to Megan, but he does it at the wedding of their friend. Surely a breach in decorum.
What finally propels Megan out of this rut? It’s partly the proposal, and partly seeing her father making out with the bride’s mother in the reception parking lot. Betrayal! At 28! So, pretending she’s heading to Orcas, she instead gets caught up with high schoolers, led by Annika (Chloë Grace Moretz). First she buys them booze. Then she pretends to be Annika’s mom for a parent-teacher conference. Then she’s staying in Annika’s bedroom.
Thank god Sam Rockwell shows up.
Sam Rockwell, lifeguard
He’s Annika’s father, Craig, and his role here is almost like his role in “The Way Way Back”—except instead of playing a lifeguard offering life advice (and friendship) to a wayward teenage boy, he’s a divorce lawyer offering life advice (and eventually love) to a wayward twentysomething girl. He adds pizzazz and jazz to the movie. He asks pointed questions and delivers blunt truths:
Craig: I get that this can sometimes be sensitive information for a woman, but how old are you?
Megan: I'm ... in my 20s.
Craig: And why are you sleeping over at my house? Or I guess the larger question is: Why are you hanging out with my daughter?
Megan: It's kind of hard to explain.
Craig: I bet.
Megan: No, I mean, I've never really tried to. Not even to myself.
Craig: I like hearing things better when they're not rehearsed.
He’s the movie’s most interesting character.
I’ve said it before: Some of the best on-screen portraits of men in recent years have come from women. Here, it’s not just director Shelton but screenwriter Andrea Seigel. And it’s not just Craig but Anthony. He’s dull, yeah, but he’s loyal. He’s stolid—like Gandolfini in “Enough Said,” and Adam in “Girls.” It’s the women who are flighty and backbiting and hard-to-please. I’m surprised this isn’t mentioned more when critics, particularly male ones, encourage getting more female voices out there. Yes, this is good for women, but I think it’s even better for men. Because they like us, they really like us.
Sadly, we don’t spend enough time with Craig. It’s more about Megan, who’s meh, and Annika, who has adolescent issues and mommy issues. Bethany (Gretchen Mol, underused), a catalogue model, left a long time ago. She has a good line when Megan and Annika visit her and she wonders to Megan in the kitchen what Annika expects:
Megan: That you serve some lemonade and ask her five to ten questions about her life.
Bethany: [Pause] Treat somebody badly enough you just assume they'll be happy to let you go.
Fighting the momentum
The resolution should be intriguing. I think we’re all propelled along pathways, and it’s easy to give in to the momentum and intertia, and it’s hard to get on a new path. So the question is: How does Megan get on a new path?
Well, after she begins a relationship with Craig, Annika discovers Megan’s engagement ring and feels betrayed. So does Craig. Then Megan does a good deed for the girl but returns to Anthony and her old life. And that’s the end.
Kidding. She and Anthony are about to elope to Vegas when he makes a fatal mistake. He takes a selfie of the two of them at the boarding gate and sends it to “the group,” their friends with bad taste. And that’s when Megan knows she can’t be with him; that’s when she gets off that pathway and onto the one that leads back to Craig.
So she begins with movie directionless and with the wrong guy and ends the movie directionless and with the right guy. Progress, I suppose.