The Hunger Games: Catching Fire (2013)
It’s a rigged game.
I don’t mean the Hunger Games. I mean “The Hunger Games.”
The film’s creators, or possibly author Suzanne Collins (I’m not sure which since I haven’t cracked a spine in the series), rig the first game, “The Hunger Games,” by ensuring that Katniss Everdeen (Jennifer Lawrence) never loses favor with us by never actually killing anyone in cold blood in this kill-or-be-killed world. She triumphs without real blood on her hands.
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Now, in the sequel, “The Hunger Games: Catching Fire,” the game really is rigged—this time by the other characters, particularly the game’s creator, Plutarch Heavensbee (Philip Seymour Hoffman). He’s using it, and Katniss, as a means to foment rebellion. As a result, once again she doesn’t have to kill in cold blood. Once again, when given the choice between murder and mercy, she goes with mercy. Once again, this never backfires on her.
But there’s a bigger reason why “The Hunger Games” is a rigged game: for a dictatorship, the Capitol comes pretty weak and dumb.
Dictatorship and distraction
Early on, for example, Plutarch gives Pres. Snow (Donald Sutherland) a way out:
Snow: She has become a beacon of hope for them. She has to be eliminated.
Plutarch: I agree she should die but in the right way. At the right time. ... Katniss Everdeen is a symbol. We don't have to destroy her, just her image. Show them that she's one of us now. Let them rally behind that.
The districts are already beginning to rebel. So he suggests a crackdown with public whippings and executions, then show these on television interspersed with shots of Katniss, the supposed rebel hero, shopping, trying on make-up, trying on a wedding dress. “They're gonna hate her so much,” he says, “they just might kill her for you.”
Great idea. So what happens to it?
Barely anything. The troops crack down on District 12, Gale Hawthorne (Liam Hemsowrth, Thor’s brother) tackles Commander Thread (Patrick St. Espirit), and gets a public whipping for it. But guess who comes to the rescue? Katniss. And guess who comes to her rescue? Haymitch (Woody Harrelson). And guess who comes to his rescue? Peeta (Josh Hutcherson). And that’s that. She’s a heroine all over again because everyone saw enough of her bravery on television. So now Pres. Snow wants a new plan, even though it never looks like the first plan went into effect. And that’s when Plutarch reveals that all the previous winners, including Katniss, compete for the 75th Hunger Games. Which is why we get Katniss is another Hunger Games.
That’s one major problem. Here’s another. Early on, Gale says this to Katniss:
People are looking to you, Katniss. You've given them an opportunity. They just have to be brave enough to take it.
Here’s the thing, though. They are brave enough to take it. They are rebelling. The one who isn’t brave enough is Katniss. She keeps pulling back. Sure, Pres. Snow has threatened her mother and sister and hunky hunk Gale, but so what? She has a chance to change an awful, awful world. She just doesn’t grab it. Instead she encourages folks forward, like the old black man, who gives her the third-fingered salute and four-note whistle, and he gets executed before her distraught eyes.
Instead of trying to do something, Katniss plays along with the ruse: that she and Peeta are in love and about to get married and yadda yadda. Why does she do this again? I’ve actually forgotten. At one point, Haymitch tells her this:
From now on, your job is to be a distraction so people forget what the real problems are.
But a distraction to which people? Those in the districts or in the Capitol? Or both? It seems like it should be in the districts but they never seem distracted. They never seem fooled. They never forget who the true enemy is.
I’m sorry, but the more I think about this movie the dumber it gets. If you have dictatorial powers, as Snow does, and control over the media, as this government does, then how can you not besmirch a name? It’s called propaganda. Do we need FOX-News to show him how it’s done?
In 1985 Neil Postman published a book, “Amusing Ourselves to Death, “ in which he argued that of the two great dystopian novels from the first half of the 20th century—Aldous Huxley’s “Brave New World” and George Orwell’s “1984”—it was actually the former, whose weapon of governmental control was distraction, rather than the latter, whose weapon was dictatorship, that was the more prescient and more deadly. The point is this: the Capitol has both dicatorship and distraction—and a rebel hero uninterested in rebellion—and they still can’t control her.
Talk about a rigged game.
The most successful formula in movie history
Anyway there goes Katniss into another Hunger Games. Here are the bad dudes from District 1. Here’s a bit of practice. Here are possible allies. Here are the interviews conducted by cloyingly sentimental host Caesar Flickerman (Stanley Tucci, channeling Jiminy Glick). And off they go.
The acting talent here is amazing for this type of movie. Along with the previously mentioned names, Elizabeth Banks is choice as the gloriously frivilous Effie Trinket; and both Amanda Plummer and Jeffrey Wright are perfect as a half-cerebral, half-crazy Hunger Games team.
So what is it about this movie, this series, that makes it so popular? People talk about what a positive role model Katniss is, blah blah, but I think it boils down to the oldest, most successful formula in movie history: a strong woman having to choose between two men against a backdrop of tragedy. That’s “Gone with the Wind,” “Sound of Music,” “Titanic,” the “Twilight” series, and now “Hunger Games.” And like the “Twilight” series, the final “Hunger Games” is split into two parts: one for 2014, one for 2015.
I hope that distracts you enough that you forget what the real problems are.
November 24, 2013
© 2013 Erik Lundegaard