Your Olympic Moment
From George W.S. Trow's “Within the Context of No Context,” about American culture/pop culture, which was originally published in The New Yorker in November 1980:
The most important programming deals with people with a serious problem who make it to the Olympics. It is the powerful metaphor of our timeóbabies given up for dead who struggle toward national life and make it just for a minute. It's a long distance to come. People feel it very deeply and cheer the babies on.
That's dead on, prescient even, since coverage of the Olympics was fairly straightforward back in 1980. One wonders, though, if this Olympic moment is still the most powerful metaphor of our time. In some ways, it's been usurped by Simon Cowell and the “X's Got Talent” showrunners, who play down their talent, let it stand before Cowell's withering gaze, and then let it shine (and watch Cowell melt, with dollar signs in his eyes). The most famous of these is Susan Boyle. The most extreme version is probably from “Korea's Got Talent”: the homeless boy,†abandoned at an orphanage at 3, who fled the beatings there at the age of 5 and lived on the streets, selling gum, and now doing manual labor; he makes the pretty lady judge cry with his western opera. It's a long distance to come.