erik lundegaard

The Original Gangster Squad

This weekend, as “Gangster Squad” was opening to poor reviews and poorer box office, I watched a documentary called “Public Enemies: The Golden Age of the Gangster Film.” I'd never heard of it but there it was on Netflix. For, like, free. Narrated by Alec Baldwin. You worry you're going to wind up with some AMC Biography crap but this thing was decent.

It is what it says it is. Its focus is on the 1930s Warner Bros. gangsters: Robinson and Cagney in the 1930s, then Bogart's work from the 1940s. It includes Martin Scorsese as talking head and some of his films. But it never mentions “The Godfather,” at least not so as I remembered, and pretty much ignores the 1950s on. It ends more or less with Cody Jarett. Top of the world, ma.

But the best part of the doc for me was the first 20 minutes when we got clips from silent gangster movies. Not just “The Musketeers of Pig Alley” (1913), which Scorsese talked up in “A Personal Journey with Martin Scorsese through American movies,” but a 1906 silent film called “The Black Hand.” Any “Godfather” fan immediately perks up. “The Black Hand” at the time of Vito Corleone's battle with the Black Hand? Sign me up.

The Black Hand (1906)

Turns out it's one of about a half-dozen silents with “black hand” in the title. We don't get the others. But we do get these:

Regeneration (1915) directed by Raoul Walsh

Outside the Law (1920) directed by Tod Browning

The Unholy Three (1925) directed by Tod Browning

Some of “Regeneration” was apparently filmed in Five Points, only 50 years removed from when Martin Scorses would set it in “Gangs of New York.” He watched it as preparation.

There's also a great, short appreciation for Lon Chaney, the man of a thousand faces, who projects powerful ones here. It makes me want to see more of his work.

Lon Chaney

Why did gangster movies prosper with talkies? Some say it was the sounds, such as machine guns, but you could get those in war movies, too. Others mention the patois, the accents, from the various neighborhoods in New York. Wise guy, see? There's Prohibition, during which most of us became criminals and criminals became powerful, and the Great Depression, when many Americans realized what a scam it all was, and a man making his rise by any means necessary, and in the face of the real criminals, the Wall Street types, was a comforting 90-minute wish-fulfillment fantasy for many Americans.

Underworld (1927)

The Lights of New York (1928)

The Doorway to Hell (1930)

Plus the movie stars who showed up: Cagney, Bogart, Edward G. Robinson:

Edward G. Robinson as Little Caesar

By the way, and appropos of nothing, doesn't this actor in “Musketeers of Pig Alley” remind you of Mark Strong?

Musketeers of Pig Alley screenshot

History written with lightning has simply become history. The backgrounds alone in these early silents, filmed in various locations in New York in the 1910s, make them worth watching.

 


Posted at 11:23 AM on Sun. Jan 13, 2013 in category Movies - Documentaries  
Tags: , , , , , ,

COMMENTS

Mister B wrote:

Tod Browning before he did “Freaks”? Wow.

Comment posted on Sun. Jan 13, 2013 at 12:13 PM

Erik wrote:

Exactly. Apparently he was the go-to gangster director of the 1920s...

Comment posted on Sun. Jan 13, 2013 at 01:49 PM

You may bypass the ID fields and security question below if you log in before commenting.


 
 





Enter e-mail address to receive notification of new comments on this post
Click here to manage subscription
« Reader of the Day   |   Home   |   Hollywood B.O.: 'Zero Dark Thirty' Grosses More This Weekend than 'Hurt Locker' In Its Entire Run »
 RSS    Facebook

Twitter: @ErikLundegaard

ARCHIVES

All previous entries

LINKS
Movies
Jeffrey Wells
The Film Experience
Roger Ebert
Baseball
Rob Neyer
Joe Posnanski
Cardboard Gods
Politics
Andrew Sullivan
Alex Pareene
Hendrik Hertzberg
Friends
Cloud Five Comics
Copy Curmudgeon
Deb Ellis
Andrew Engelson
Jerry Grillo
Tim Harrison
Eric Hanson
Ben Stocking
Jim Walsh
dative-querulous