The Last Word on the Hollywood Blacklist*
Another Lillian Hellman quote from “Scoundrel Time.” She's writing about the moguls, the Eastern European Jewish men who came to power in Hollywood:
Certainly they had force and daring, but by the time of McCarthy they had grown older and wearier. Threats that might once have been laughed about over a gin rummy game now seemed dangerous to their fortunes. Movie producers knew full well that the Communists of Hollywood had never made a single Communist picture, but they were perfectly willing to act as dupes for those who pretended that was a danger.
That's the key, really. There were Communists in Hollywood, and many of them pushed to get their ideas into their screenplays (as every writer does), but they didn't come close to succeeding. You could argue that the most pro-Communist movie during this period was “Mission to Moscow,” directed by a non-communist, written by a non-communist, based on a memoir by a non-communist, and produced at virulently anti-communist Warner Bros. As for communists like John Howard Lawson? He wrote action movies for Humphrey Bogart. The blacklist was paranoia, or a power grab, or a pogrom.
* Not my last word, mind you.