That Idiotic 'Hail, Caesar!" Race-Based Protest
On the town.
Thursday was an annoying online day for me. First that idiotic Frank Underwood meme, then this. Clowns to the right of me, jokers to the left.
On the Daily Beast site, frequent contributor Jen Yamato interviewed the Coen Brothers about their movie, “Hail, Caesar!” and asked them about #OscarSoWhite. They weren't really hip to the protest. Or they thought everyone cares too much about the Oscars. Which is true. Here, too. Although, in my defense, I don't really care so much as I'm intrigued by what the Academy decides to honor each year; what the conversation is. Really, the point of the Oscars is to disappoint, and everyone has their breaking point when they stop caring too much. Mine happened in March 2006.
Anyway, Ms. Yamato brought up why the cast for “Hail, Caesar!” was in fact so white: all of these white 2010s Hollywood stars playing 1950s Hollywood stars. The answer, of course, is obvious, but in the piece she only brings it up to bypass it:
Such overwhelming whiteness could conceivably be explained away by pointing to the milieu of Tinseltown circa the 1950s, when the industry's racial demographic was far less diverse than it is today. I asked the Coens to respond to criticisms that there aren't more minority characters in the film. In other words, why is #HailCaesarSoWhite?
Then the Coens responded. And they weren't exactly Minnesota Nice about it.
“It's important to tell the story you're telling in the right way, which might involve black people or people of whatever heritage or ethnicity—or it might not.”
“You don't sit down and write a story and say, 'I'm going to write a story that involves four black people, three Jews, and a dog,'—right? That's not how stories get written. If you don't understand that, you don't understand anything about how stories get written and you don't realize that the question you're asking is idiotic.”
“It's not an illegitimate thing to say there should be more diversity in an industry. But that's not what that question is about. That question is about something else.”
In a way, Yamato was brave to include all of this in her piece. She allowed herself to be an idiot in print to make a larger point.
Except she, and a lot of other people, think her smaller point is the legitimate one. Some of these people are friends of mine who are friends of hers, and who defended her on the usual social media outlets. I went the opposite route. I pointed out that all of these hashtag protests actually cancel each other out:
- #OscarSoWhite only because...
- #MovieIndustrySoWhite, and...
- It was incredibly so in the early 1950s, when “Hail, Caesar!” is set, which means ...
- #HailCaesarSoWhite as a protest makes no fucking sense.
So Thursday was a long day.