Saturday May 18, 2019
SIFF Opening Night 2019: Worth It?
Yesterday at a SIFF screening of the French film “Sink or Swim” (think: “Full Monty” meets the 1985 SNL skit about synchronized swimming), I asked a friend whether she'd gone to SIFF's opening night the night before. She said she hadn't and kind of made a face. I said, “Yeah, sometimes I wonder why we do it. Basically we‘re paying exorbitant prices to dress up in uncomfortable clothes and fight rush-hour traffic in order to watch a movie in a venue not made for movies. And the movies often suck.”
“But, it’s good, it's good,” to quote Shrevie.
Before this year's show, talking with another patron in the McCaw Hall lobby, I initmated Patricia and I had been doing Opening Night for about 10 years now. I just did the math and ... nope. We did 2011 (“The First Grader”), missed 2012 (Lynn Shelton's “Your Sister's Sister”), but have been ever since. So seven years running. What have we seen in those seven years?
- Joss Whedon's “Much Ado About Nothing”
- “Jimi: All By My Side”
- “Cafe Society”
- “The Big Sick”
- “The Bookshop”
Odd mix. I like it when they get all Seattle on us (Jimi Hendrix; Lynn Shelton), but of those six titles I'd probably only wholeheartedly recommend “The Big Sick.”
BTW: You know how long ago three years ago was? That was when SIFF opened with a Woody Allen movie. No way that's happening now. Not from an org that begins every festival with the morally self-congratulatory and ultimately meaningless declaration, “SIFF acknowledges that we are on Indigenous land, the traditional territories of the Coast Salish people.” BTW: You capitalize “Indingenous”? Is that right?
This year's opener was “Sword of Trust,” also by Lynn Shelton, and starring Marc Maron, which I hope to write about soon—if for no other reason than so I don't forget about it. Maron was good. Parts were funny. I would like to hear it in a smaller, less echo-y venue.
The opening night after-party was odd and a bit skimpy. Same venue but with much less food (one food truck outside rather than six), and a red carpet/VIP area that seems at odds with SIFF's supposedly moral stances. “SIFF acknowledges that we are partying on Indigenous land, away from the rest of you, and isn't it a blast.”
For the month-long fest, Patricia and I have a list of about 10 movies to see together (including: “X: The Exploited,” “Blinded by the Light,” “Putin's Witnesses,” “Cities of Last Things” and “Meeting Gorbachev”), and I have about five more solo projects (mostly Chinese films like “One Child Nation” and “A Family Tour”), but let me know if you hear anything good. Always interested in seeing something good.