erik lundegaard

On the Final Episode of 'The Office'

Over on the Atlantic site, Kevin Craft has a nice piece on the final episode of the NBC series “The Office”: why it was once great, why it couldn't remain so:

Set in Scranton, Pennsylvania, in the sales office of a nearly obsolete paper company, the show's characters at first didn't develop as much as stagnate. Like their dead-end jobs and the dead-end lives that inevitably spring from such jobs, these people were just passing time, one prolonged meeting at a time. Just as reality television soothes a viewer's inner narcissist by telling stories of even more pronounced narcissists wreaking havoc on their surroundings, The Office made its audience feel better about their professional lives by showcasing a workplace with even drabber décor and more grating coworkers. ...

The original theme it explored—office work sucks—is only funny if the characters never grow. What made the early episodes so dryly funny and morbidly relatable was that the seasons and the names of the meetings changed, but the paper-pushing remained the same. Just-another-cog-in-the-wheel syndrome only engenders pathos if the wheel spins indefinitely and the cogs stay put. But writers can only use constructed bonding experiences, like an awkward sexual harassment training session or an impromptu “Office Olympics,” so many times to illustrate the lengths to which white-collar drones will go to survive another excruciating day. In television, things have to change.

“...the lengths to which white-collar drones will go to survive another excruciating day.” Nice.

Patricia and I watched the final episode last night but it was a bit too sweet for me. And it wasn't like the final episode of the British “Office,” in which Ricky Gervais gave you a cherry on top (Tim and Dawn finally getting together) of the shit sundae he'd been serving all that time (every other excruciatingly brilliant episode). No, this was just too sweet. A happy ending for everyone. Right? Doesn't everyone get what they want? Jim takes the dream job and gets out of Scranton (with his family, of course); Pam paints murals; Dwight gets to be office manager (and, in the only brilliant touch of the last season brilliant touch, he also becomes assistant to the assistant to the regional manager, or the direct report of his own direct report). Erin finds her parents, Andy finds fame (or infamy), Stanley gets to kick back away from everybody.

I'm with Kevin Craft here. I wanted more fourth-wall moments at the end. How did it feel once the cameras went away? How did it feel once they showed up in the first place? That's something “The Office” never really dealt with. Was it easier surviving another excruciating day because you were being filmed doing it? Did that make it seem relevant? Like you had an audience that most of us don't have? Did that change the behavior of the people there? Give me some Heisenberg principle, kids.

I know. Network TV. But we're not getting any younger. Or smarter.

Even so, farewell “Office.” You were my last network show.

The Office (U.S. version)


Posted at 02:59 PM on Fri. May 17, 2013 in category TV  
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