Sunday February 24, 2019
No Rooting Interests for Hostless Oscars
I‘ve been making my Top 10 movies list for 10 years now, and this is the first year without a best picture nominee on it. None, zero, zilch.
I was vaguely aware of this as I was writing it. Or I was aware there was only one, “Roma,” but it didn’t make my final cut, for which my wife still hasn't forgiven me. I was pretty sure I'd never had zero before. Had I had only one before? Not even close. Turns out, before this year, I averaged about four:
- 2018: 0
- 2017: 5: Get Out, Phantom Thread, Three Billboards Outside Ebbing, Missouri, Lady Bird, Call Me By Your Name
- 2016: 3: La La Land, Moonlight, Manchester By the Sea
- 2015: 4: Brooklyn, Spotlight, The Big Short, The Revenant
- 2014: 3: The Grand Budapest Hotel, Birdman, Boyhood
- 2013: 3: Philomena, American Hustle, The Wolf of Wall Street
- 2012: 3: Argo, Amour, Lincoln
- 2011: 4: The Artist, The Descendants, Moneyball, The Tree of Life
- 2010: 5: Black Swan, Toy Story 3, Inception, The Social Network, True Grit
- 2009: 5: Inglourious Basterds, The Hurt Locker, A Serious Man, Avatar, Up
That's a lot of agreement with an institution I constantly bitch about.
At the same time, I admit I‘ve gotten too swept up in the discussions around end-of-the-year/Oscar nomination time and allowed that to sway me more than I should. I think. It feels like that anyway. This distant voice in my head: “Well, of course you have to have ’The Hurt Locker' in there.” No. No, you don‘t.
That said, what might I remove from the above? Not many. Probably “La La Land” and “Black Swan” and “The Hurt Locker.” Maybe “The Artist” or “Argo” or “Inglourious Basterds.” I’d have to see these movies again, of course. The main point is the Oscars do tend to nominate a lot of good movies. This year I just didn't think many good American movies were made. Studio or indie.
It also means tonight I don't any real rooting interests. Maybe Spike for director even though I didn't like “BlacKkKlansman” much. And even though it should really go to either Cuaron or Pawlikowski.
I do find myself amused by the passionate intensity with which #FilmTwitter is battling it out over very flawed movies. How their flawed movie should win out over this other very flawed movie. To me it's like hearing an angry, passionate debate over which brand-name peanut butter is the best. “Jif better win! I‘ve been hearing reports that Peter Pan is gaining ground, which I can’t believe. God, what's the matter with people!?!”
5 PM, PST. Hostless.