Movie Review: Transformers: The Last Knight (2017)
Why is the fifth “Transformers” movie subtitled “The Last Knight“? Besides the obvious attempt to cash in on the Batman franchise?
Glad you asked! You see, back in 484 A.D., King Arthur and his knights were about to lose an epic “Game of Thrones”-inspired battle against the Saxons when the man whom Arthur trusted implicitly, the wizard Merlin (Stanley Tucci), a comic-relief drunk, stumbles upon a crashed spaceship with a transformer inside. Wait, 12 transformers? That’s what Wiki tells me but god help me if I remember more than one in this scene. Anyway, Merlin’s innate ... comedy? ... somehow convinces the transformers to back his side in the war (no Prime Directive for these fuckers), so they transform themselves into a giant three-head “Game of Thrones”-inspired dragon, give Merlin an alien staff, and warn him that “a great evil” will come for it one day; then off they go to battle and win the thing for Arthur and England.
CUT TO: Present-day, post-Transformers-III-or-IV Chicago, where, in the ruins, four “Stranger Things”-inspired nerd boys are saved by a fierce, Eleven-inspired girl, Izabella (Isabella Moner), and her transformer pals, who are, in turn, saved by our hero from the previous film: failed Texas inventor and all-around good-guy dad Cade Yeager (Mark Wahlberg). Cutting loose the nerds, they go off to some safe-ish haven/junkyard to wait out the next step in the inane journey.
Did you spot it? Yes, Yeager is our “last knight.” He’s the guy who will save the day. How? Well, this odd little transformer will attached itself to him, mostly to his arm but also move around his body sometimes, which gives him the opportunity to reveal his tight abs to the Oxbridge-educated but standoffish hottie Vivian Wembley (Laura Haddock), a direct descendant of Merlin. (Wahlberg here is like, say, Margot Robbie in the airport dressing/undressing in “Suicide Squad”: naively unaware of the effect his sexy body has on others.) Then, at a crucial moment, after Yeager and Wembley take a transformer-sub to the bottom of the ocean, and run from/fight the 12 guardian transformers there, not to mention Optimus Prime, who, like a WWE wrestler, has turned from face (hero) to heel (villain), because...
Fuck it. Enough to know that they resurface, there’s a battle, Megatron steals the staff, Optimus realizes the error of his ways because Bumblebee speaks, but he’s about to be executed anyway by the 12 guardian transformers when Cade shouts “NO!” and the odd little transform becomes ... EXCALIBUR! Yes! Arthur’s sword! And Cade stops the mighty blade of the guaridan transformer! And he saves Optimus! And now he’s ready for battle.
And so Cade takes Excalibur and ...
Actually, that’s pretty much it. That’s all he does with it. It doesn’t come into play ever again.
Remember when you were like 9 or 10 and you’d play at “war,” or some kind of imaginary adventure game, and it was basically, “And then this happens, and then this happens,” and “No! Those guys are over there! No! That guy’s dead!” Remember that kind of thing? No logic, no sense of connecting the past with the now, just the hell-bent movement forward? That’s this. That's Michael Bay.
This movie is so bad I kept flashing to that “Curb Your Enthusiasm” season in which Larry David is cast in “The Producers” because Mel Brooks wants it to fail. He’s sick of his creation and wants to destroy it and move on. Is Bay doing the same? Is he sick of his creation and wants to end it? Or is he simply boundary-testing how stupid we are? “Can they take something this dumb? Cuz I’ve about reached my limit. I can't make it any dumber. I canna dumb it down any further, Captain.”
The plot is basically: Optimus and army men chase our heroes, who are on a hellbent journey to find a MacGuffin (alien staff) that could lead to the end of the world, and which only they can gather. Once they find the MacGuffin, and once the bad guys immediately steal it and try to use it to destroy the Earth, Optimus and the military guys join our heroes for the final battle, which takes place, with a nod toward the movie's King Arthur opening, over England’s moun-tains green. And the good guys win.
Plus Anthony Hopkins as Sir Edmund Burton, the one who knows the backstory.
Plus Tony Hale (“Arrested Development,” “VEEP”) as the government scientist apparently in charge of everything who orders generals to use nukes against the Decepticons because ”magic isn’t real."
I kept wondering: In these movies, isn’t there always something that’s been left behind by centuries-ago transformers that today's transformers need to get a hold of to rule the world? Or save it? Shouldn’t someone do a study on this?
[Smaller voice] Oh no, I don’t have to do it, do I?
No, thank god. Or thank Rob Bricken at io9, a better man than I, who has already done it. Read his synopsis. He tears apart the movie, the series, and Michael Bay, with the necessary humor.
Final reminder: This is all about a toy robot that can turn into a car. Have we gone mad?