Movie Review: The Incredible Burt Wonderstone (2013)
A horrible man, Burt Wonderstone (Steve Carell), performs an awful, cheesy magic act and audiences love it for decades. An even more horrible man, Steve Gray (Jim Carrey), performs an awful, masochistic act, in which he actually inflicts pain on himself, and he steals away Burt’s fickle audience. Humbled and broke, Burt spirals toward bottom, learns humility, meets his mentor (Alan Arkin), reteams with the partner he dismissed (Steve Buscemi), gets the beautiful girl he dissed (Olivia Wilde), and together all four win back the audience by literally drugging them. Audience members were dupes before and now they’re doped.
Some kind of lesson there about what Hollywood thinks of us.
There are a few laughs in “The Incredible Burt Wonderstone.” Maybe 10. Maybe.
I like the early, good-natured reaction shots from the overly good-natured Anton Marvelton (Buscemi). I like the last absurdly masochistic trick of Steve Gray. Alan Arkin can turn dull lines into something wonderful while Olive Wilde is something nice to look at.
Otherwise I was bored. Otherwise it was gags like this:
- Burt takes a beautiful fan into his bedroom.
- From outside we hear her say, “Oh my god, it’s huge.”
- We cut inside where she’s looking at his bed, which is big.
Director Joseph Scardino is mostly a director of TV sitcoms. It shows. One of the main screenwriters, Jonathan M. Goldstein, is mostly a writer of TV sitcoms, while the other, John Francis Daley, played the lead in the acclaimed TV sitcom “Freaks and Geeks.”
Do we care that the chronology is off? In the beginning we see Burt as a kid being picked on—ironically by Zachary Gordon, star of “Diary of a Wimpy Kid”—in 1982. Which means Burt and Anton were born in … 1972? For Carell and Buscemi? Who were born in ’62 and ’57 respectively? As adults, their act takes off and they wind up on “The Tonight Show” with Johnny Carson, who retired in 1992. So when they were 20? I guess? Even though they look like they look now? Does anyone care what fucking year it is anymore?
By the time they’re fixtures on the Vegas stage, with tans, hairdos and sequined outfits out of Siegfried & Roy, Burt, the sweet kid, has already morphed into a major pompous asshole. He stays that way for more than half the movie. It’s not funny. He also hates their magic act because it’s the same, the same, the same, yet he refuses to change it until it’s too late; until his “show business” is usurped by Steve Gray’s “reality.”
Do we read the movie as a Hollywood metaphor? Burt Wonderstone is the old cheesy TV show, Steve Gray is the masochism of reality TV, and the old hands are trying to figure out ways to win back their dopey audience.
“I don’t enjoy any of this shit,” says Vegas hotel owner Doug Munny (James Gandolfini), channeling me.
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