Movie Review: Sausage Party (2016)
The obvious one-word review of “Sausage Party”? Tasteless.
When he’s not doing stoner comedies, Seth Rogen has spent his career either buying into the tropes of Hollywood genre films (“Neighbors”), half buying into them (“The Green Hornet”), or mocking them mercilessly (“Observe and Report”). “Sausage Party” is in this last group.
It takes the Disney/Pixar love of anthropomorphism (animals, toys, and furniture), and asks, “What would happen if we did that with food?”
Great concept. When I first saw the trailer in early 2016, I roared with laughter. The food thinks it’s going to a special place, then horror ensues: the potato is painfully peeled, the iceberg lettuce torn apart, the baby carrots masticated. “They’re eating children! Fucking children!” a hot dog cries.
What makes it particularly funny is that, until that moment, all the scenes in the trailer buy into the Disney/Pixar tropes. The grocery store/kitchen is the happiest place on earth. It’s Disneyland, where everyone is clean, behaves, no one curses, and no one has genitalia or sexual urges.
That’s just the trailer, though. In the actual movie, our foodie protagonists act as horny and raunchy as dudes at a frat party. The hot dogs are all male, the buns female, the former want to get into the latter: “You know it, baby! Work those buns! ... Waiting to get filled with my meat!” Everyone’s tossing around F-bombs. It’s supposed to be shocking and funny but it’s shockingly unfunny. It’s pushing buttons that don’t produce laughter. By the time the kitchen knife comes out, the carnage is almost welcome.
Question: With the racially specific food (the Woody Allenish bagel, voiced by Ed Norton; the hard taco shell, voiced by Selma Hayek; the German mustard with the Hitler face), is this a satire of the now-embarrassing racial stereotypes of early cartoons? Or is it just an opportunity for Seth and his friends to be as politically incorrect as possible? I’m betting both. It feels like they’re enjoying it too much.
The movie was directed by animation vets Conrad Vernon (“Shrek”) and Greg Tiernan (“Thomas & Friends”), and written by the Rogen crew: Evan Goldberg, Ariel Shaffir, Kyle Hunter and Rogen, who all worked on “This Is The End.” Goldberg goes back with Rogen to “Superbad” and “Pineapple Express” days. I’m beginning to think this is good as these guys get.