- Rep. John Lewis (D-GA), one of the great, fearless men of my lifetime, a civil rights legend and speaker at the March on Washington in August 1963, denounces voter-suppression efforts in Georgia.
- Two of my faves: Jill LePore on Wonder Woman. I actually prefer the former. The latter did nothing for me in comic book form. Only in Lynda Carter form.
- They've announced the longlist for the National Book Award for non-fiction. None of my guys. No Rick Perlstein, no Michael Lewis. On the other hand, a slew of books I wouldn't mind reading if I didn't have a day job.
- What do Toni Morrison's “Song of Solomon” and Jeannette Walls' “The Glass Castle: A Memor” have in common? They've both been banned by the school system in Highland Park, Tex.
- Hendrik Hertzberg on the death of “Stephen Colbert.” All very spot-on, and highlighting my point that no one's mentioning: to replace David Letterman, they've hired an unknown.
- Nursery rhyme: Little John Boehner has lost his lawyer (in the lawsuit against Pres. Obama) but quickly got another.
- An ump tossing a fan for repetitive, profane language? I like it! (Better watch yourself, Tim!)
- You don't see enough of this kind of thing: Box Office Mojo's Ray Suber grades himself on his summer box office predictions. What did we think would take off and didn't? (“How to Train Your Dragon 2,” “A Million Ways to Die in the West.”) What didn't we and did? (“Guardians,” “Maleficent.”) The comments about July box office were particularly interesting. The studios' fault for putting the wrong movies there? I mean, “Hercules”?
- Here are the awards from the 2014 Port Townsend Film Festival, which P and I attended with friends this weekend. The big winners seem to be the doc “Return of the River” (local) and the feature “Amira and Sam,” which played SIFF and which has been picked up for distribution. We saw our friend's doc “The Only Real Game” (about baseball in Manipur, India: Recommended!) and a showing of “Breaking Away” with a local author presenting. It wasn't a good print; the author didn't have much to say about the movie. So it goes.
- A couple of items from the Sept. 14 issue of The New Yorker, which I finally got around to reading while in Port Townsend for its film festival. First, Kalefa Sanneh's profile of Bill Cosby: “The Eternal Paternal.” It's not bad, and I always like reading about Cosby since he reminds me of my childhood (“Fat Albert and the Cosby Kids,” comedy LPs) and young adulthood (“The Cosby Show”); but the piece seems tied to Mark Whitaker's biography of Cosby without really being tied to it. It's mentioned and then ... poof! Does The New Yorker do what most media outlets do? Only write about pop cultural figures if it's tied to something being sold?
- Then John Lahr, Bert's son, gives us a portrait of Al Pacino, which is pretty fascinating. I didn't know much about Pacino's life, inner or otherwise, so most of this was news to me. But how Lahr could write as much as he does, and mention as many of Pacino's roles as he does, without touching on “The Insider,” is a mystery.
- Finally, and most importantly, William Finnegan on unionizing fast-food workers and the struggle for a decent wage for a decent day's work. It's both personal (the story of Arisleyda Tapia, who works at a McDonald's in Washington Heights in New York) and panoramic (the fact, for example, that “52 percent of fast-food workers are on some form of public assistance,” or that McDonald's workers over 18 in Denmark “earn more than twenty dollars an hour ... and the price of a Big Mac is only thirty-five cents more than it is in the United States”).
The Lynda Carter incarnation. Good casting. More thoughts on Wonder Woman here.