- Movie mashups used to be a thing, then kind of went away, at least for me. But this one's worth it: “50 Shades of Mr. Bean.”
- OK, this one too. It's two of the three guys singing “Please Mr. Kennedy” in “Inside Llewyn Davis” (Oscar Isaacs and Adam Driver) against the backdrop of their “Star Wars” battles.
- Well, what do you know? Another one: Turning “Dumb & Dumber” into an Oscar-worthy drama.
- Stop me if you've heard this one: A man in Renton, Wash., brings a gun to a movie theater for a showing of Michael Bay's “13 Hours: The Secret Soldiers of Benghazi” in case some nut starts shooting up the place. And he winds up shooting up the place.
- My man Rick Perlstein admits the rise and rise of Donald Trump threw him for a loop, but his thoughts on the phenomenon are clarifying, particularly why former GOP candidates, as demagogic as they might have been, always put on the brakes. And maybe why Trump hasn't.
- Jonathan Chait is also good in his piece: The Trump Party vs. the Republican Party. Particularly this thought: “A Republican presidential candidate might run on Willie Horton and opposing same-sex marriage, but after being elected, he was expected to turn to reducing the top tax rate and deregulating business. Cultural appeal was the means, and economics the ends. What conservatives fear is that Trump might upend that delicate, unstated system by turning the means into the ends.”
- I use the term “auteur whore” for critics who love anything a particular director does; Jeff Wells uses a Wall Street metaphor: when do you purchase or dump director stock? I like it. I have to say, I'm still holding on to my Michael Mann stock, despite “Blackhat”; it was still more interesting, more dense, than most movies. And I go long on the Coens and Jacques Audiard. Anyone else? Vinny? Reed? Bueller?