It's Sunday and I'm a little disappointed in Manohla Dargis
The questions Manohla Dargis and A.O. Scott ask on page 3 of the New York Times Summer Movies section — respectively, “Where are the women in movies?” and “Why are the men in movies just overgrown boys?” — are answered on page 6 of the New York Times Summer Movies section. Michel Cieply writes, not very interestingly, about Hancock, a movie about a bum of a superhero, a guy with superpowers who drinks too much and crashes on park benches and goes to prison. The movie stars Will Smith and opens July 4th weekend and the studio is nervous because the subject matter is considered edgy. They feel like they’re breaking the box. That’s what writer-producer Akiva Goldsmith says in the article’s last line. “Everybody knows that you want to break the box. It’s just that the act of breaking the box is really frightening.”
So if a summer movie starring Will Smith as a superhero is considered “breaking the box,” what chances do movies about real women and men have?
To be honest, I was a little disappointed in Ms. Dargis. She’s sharp but this time she conflates two issues: “Where are the women?” and “Why are the few women here so unrepresentative?” The first issue is true and undisputed: the second isn’t limited by gender, as A.O. Scott’s article shows. Hell, the photo accompanying her article shows it, too. It’s the Incredible Hulk in low growl. Ms. Dargis complains that the new Anna Faris movie, The House Bunny, about a Playboy Bunny kicked out of the Playboy Mansion because, at 27, she’s too old, will be another Legally Blonde: “...one of those aspirational comedies in which women empower themselves by havng their hair and nails done.” I looked at that line, looked at the Hulk again, and wondered, “And how are boys empowering themselves? What is their fantasy?"
The issue of representation onscreen is a sticky one. Most of what we see onscreen is some combination of identification and wish-fulfillment. Action movies tend to be mostly wish-fulfillment, comedies mostly identification. Or are comedies anti-wish-fulfillment? You feel superior to the main characters: the 40-year-old virgin; the chubby slacker living with his loser stoner-friends; the chubby schlub who can’t stop crying. You see some possible version of yourself and think, “There but for the grace of God...” But there’s still wish-fulfillment, because these guys get girls they couldn’t possibly get: Katherine Heigl and Catherine Keener and Mila Kunis.
Men aren’t hard to figure out. We thrill at super versions of ourselves and laugh at lame versions of ourselves and in either version we get the girl.
As for women? Who is their identification and what is their wish-fulfillment?
Answer these questions and you’ll render Ms. Dargis’ first question moot.
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