How Hollywood Is Outsourcing U.S. Movie Audiences
Let's talk about the billion-dollar movies for a second. As of today, September 10, 2011, there are 10.
“Titanic” was the first to gross over $1 billion worldwide, back in 1997, and it shattered the mark, pushing all the way to $1.8 billion.
The second film to break $1 billion was “Lord of the Rings: Return of the King,” which grossed $1.1 billion in 2003. Then “Pirates of the Caribbean: Dead Man's Chest,” with $1.06 billion in 2006. “Dark Knight” did it in 2008 ($1.001 billion) and “Avatar” in 2009 ($2.7 billion).
That's five movies. It was a relatively rare event.
In the last two years—a year and a half, really—we've doubled that total: “Toy Story 3” ($1.06 billion) and “Alice in Wonderland” ($1.02) last year; and the final “Harry Potter” ($1.3), “Transformers: Dark of the Moon,” ($1.1), and “Pirates of the Caribbean: On Stranger Tides,” with ($1.03) this year.
From a U.S. perspective, the most recent “Pirates” movie, the fourth in the series, is the biggest head scratcher of the bunch. It bombed, relatively speaking, in the states, grossing a mere $240 million, the lowest total by far of the series, and nearly $200 million off the second “Pirates” movie, “Dead Man's Chest,” which grossed $423 million domestically in 2006. Yet POTC 4's worldwide gross is on par with, and may surpass, POTC 2. How is it making up that $183 million deficit?
More money is being made from the countries to which the film has traditionally been distributed. Yes, some countries, following the U.S. example, and despite inflationary ticket prices, are way down from the 2006 gross. In the U.K., POTC 4 fell off of POTC 2's total by $44 million. It grossed $9 million less in Spain (despite Penelope Cruz) and $3 million less in Denmark. That downward trend is also apparent in Belgium, New Zealand, Sweden, South Korea, Greece, Italy, Austria and Iceland. Altogether, in these 11 countries, the most recent “Pirates” dipped $64 million versus its 2006 incarnation.
Chart 1: Comparing the international grosses of two “Pirates of the Caribbean” movies: “Dead Man's Chest” (2006) and “On Stranger Tides” (2011)*
* All box office grosses are from boxofficemojo.com. “Stranger Tides”'s Indonesian and Swiss box-office totals are unavailable.
But the new “Pirates” more than made up for it in other countries, led by Russia-CIS, where it was up $36 million, and followed by Japan (+$24m), Brazil (+$19m) and Mexico (+$10m). Altogether, in these 28 countries, POTC 4 grossed $135 million more than POTC 2, for a net gain, from the traditional markets, of $71 million.
That's the first way it's made up the deficit.
The second way is that “Stranger Tides” has simply opened in more countries—32 more countries to be precise—including Vietnam, Qatar, Kuwait, India (surprisingly), and the big daddy of them all, China, where it's grossed $70 million this summer. Altogether, these 32 countries, 13 of which have yet to disclose box office grosses, added more than $100 million to the till.
Chart 2: Box office totals for “Pirates of the Caribbean: On Stranger Tides” (2011) in internatinal markets where “Dead Man's Chest” (2006) did not play*
* All box office grosses are from boxofficemojo.com.
Taken with the higher gross from the traditional markets, that makes up for the U.S. deficit.
This, I assume, will be the new norm for big international films. Inflation and aggressive distribution, and more leisure time in countries like China, will lead to more billion-dollar movies, even if the U.S. goes “meh” to the film.
Hollywood, like any industry, and Disney, like any corporation, is expanding its reach, and in doing so protects itself against a crappy product, as I believe POTC 4 to be. Business for this film was down in the U.S. because it was a poor film, with poor word-of-mouth, and it followed a crappy sequel, “Pirates 3,” which followed an overblown sequel, “Pirates 2,” which followed a not-bad movie, “Pirates,” way back in 2003. You can't keep doing that and not suffer financially. Yet, for a time anyway, Disney, with its aggressive expansion, has managed not to suffer financially for its poor product.
It almost feels as if moviegoers in the United States are being bypassed. It's as if we're being outsourced. First companies outsourced U.S. production; now they're doing it with U.S. consumption.
Expect a “Pirates 5.”
“Dead Man's Chest” (2006) made 39.7% of its total box office in the U.S.; “Stranger Tides” (2011), 23.2%. Yet they've grossed virtually the same at the worldwide box office.