Edward Hopper's Quiet
Patricia and I finally got down to the Seattle Art Museum to see “Edward Hopper’s Women,” a small exhibit, limited to two rooms, that has been on view since mid-November. I’m of the “I don’t know much about art but I know what I like” school, and I love Hopper. He may be my favorite artist. His paintings feel quiet. There’s a stillness to them, often a sad stillness, but I’d still like to be in them. My favorite in this exhibit, which included maybe a dozen paintings, was “Automat.”
A few years ago, reading Milan Kundera’s“Ignorance,” I realized that the saddest thing in the world to me is loneliness — particularly female loneliness. If men are lonely I often view it as their own damn fault. But the loneliness of women kills me. Here’s the paragraph that did it. Re-reading it now, it doesn’t seem like much, but back then it brought tears to my eyes:
Standing at a bar, she slowly sips a beer and eats a cheese sandwich. She does not hurry; there is nothing she must do. All her Sundays are like that: in the afternoon she’ll read, and at night she’ll have a lonely meal at home.This graph could be describing an Edward Hopper painting. It could be describing “Automat.”
Patricia, meanwhile, loves “New York Movie”: the light on the woman and how lost in thought she is.
The exhibit does a good job of describing how weighed-down she seems, reminding us that, though most of us go to the movies to escape, it’s reality, sometimes grim reality, for those who work there. Me, I love the sliver of black-and-white — the 1939 film — on the left side of the painting. (It’s much more noticeable in person.) It didn’t strike until now but it’s fascinating that the black-and-white world is the escapist fantasy, while the world full of color is the one where we’re heavy with burden. That feels so right (in the painting) and so wrong (in the world).
Afterwards, Patricia and I walked home via Westlake Center in downtown Seattle. It was a beautiful day for the last day of January — low 40s, the sun out, less gray than usual. We passed panhandlers, street performers, black kids selling candy bars. More than usual? It felt like it. It felt like the beginning.
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