Wednesday March 09, 2011
2011 Cinema: What Might Be Good?
I've got new images fading in and out to the left—posters for 2011 movies that seem intriguing to me—and none more so that Terrence Malick's “The Tree of Life,” which was scheduled to open in December 2009, then at Cannes 2010, then in December 2010 in time for awards contention, and now, finally, hopefully, May 27, 2011. Limited, of course. Delays related to Malick's general perfectionism and U.S. distribution problems. It's now set to be distributed by Fox Searchlight.
All in all, there are 18 films fading in and out to our left, and it's a fairly international group (click on the film name to see the trailer):
- Three from France: “Gainsbourg: vie heroique,” a biopic of French singer Serge Gainsbourg “from growing up in 1940s Nazi-occupied Paris through his successful song-writing years in the 1960s,” which just won three Cesars, including best actor; “Des hommes et des dieux,” which just won the Cesar for best film, on top of its Grand Prix at last year's Cannes; and “Le noms des gens,” une comedie.
- Three that are Britishy: “Beginners,” about a young man (Ewan McGregor) discovering his elderly father (Christopher Plummer) has terminal cancer and a young male lover; “Hanna,” a serious version of “Kick-Ass”; and “One Day” (no trailer available), by Lone Scherfig, the woman who directed “An Education” and “Italian for Beginners.”
- Two from Korea: “The Housemaid,” which I've already seen (review here), and “Poetry,” which opens this week, and currently tops Andrew O'Hehir's list of the best films of 2011.
- From Taiwan: “Monga,” about gangs in 1980s Taipei. I lived in 1980s Taipei. Without the gangs.
- From Denmark: “In a Better World,” recent winner of the best foreign language film at the Oscars.
- From Thailand: “Uncle Bonmee Who Can Recall His Past Lives,” which won the Palme d'Or“ at last year's Cannes Film Festival.
- Seven from the U.S.: ”The Tree of Life“ (the trailer so good it makes me uninterested in any movie I'm about to watch); ”Bridesmaids“ (femaley Judd Apatow but hopes are fading); ”Captain America“ (fingers crossed but hopes are fading); ”Moneyball“ (no trailer, no poster even), which comes out in September, and which I hope is more ”Social Network“ than ”The Blind Side“; ”Super,“ which looks to be a better version of ”Kick-Ass“; ”The Conspirator,“ Robert Redford's film about the aftermath of the Lincoln assassination; and, finally, ”Win Win,“ which got great buzz at Sundance, and is written and directed by Thomas McCarthy, who made ”The Station Agent“ and ”The Visitor,“ but who will forever be remembered by me as the scummy, preppy reporter from the final season of ”The Wire."
So. Any trailers look good to you? Any movies you've heard about that intrigue? What are YOU looking forward to?