LE CORBEAU (1943) et HORS DE PRIX (2006)
Saw two French films this week.
Monday, at the Uptown in Queen Anne, I checked out HORS DE PRIX (Priceless), a 2006 comedy about a gold-digger, Irene (Audrey Tautou), who, in a late-morning luxury hotel bar, mistakes the bartender, Jean (Gad Elmaleh), for a wealthy patron and sleeps with him. A year later she returns, and, despite getting engaged that day to her wealthy patron, sleeps with Jean again, only to get caught, and quickly disengaged, by her fiance. When she returns to Jean's “room,” Jean is subsequently caught by the hotel staff, fired, and left in the lurch by the now-wiser Irene. The steps Jean goes through to win her back among the obscenely wealthy along the Cote d'Azur are both sweet and degrading — immoral, some Americans might say — but the tone of the movie is adult and amoral (what is, is), even as the film eventually steers us from how they live to how we do, or would like to. For a comedy, its humor is dry and rarely laugh-out-loud, but it does end the way most such comedies end. Which, for me, is the wrong ending. It's ending just as it's getting interesting.
The other film, watched last night on DVD, is a classic I'd never seen before, LE CORBEAU (The Raven), made during WWII by Henri-Georges Clouzot, who would go on to direct QUAI DES ORFEVRES, LE SALAIRE DE LA PEUR (The Wages of Fear) and LES DIABLOLIQUES. A doctor, Remy Germain (Pierre Fresnay), becomes the target, or the first target anyway, of posion-pen letters signed by “Le Corbeau,” in which secrets are revealed and falsehoods spread. As more people get these letters, as more unwanted information (true and false) winds up in the public sphere, distrust and anxiety mounts, and the village leaders will do anything to flush out Le Corbeau. It's both mystery and character study, with sharp dialogue, beautiful black-and-white photography, and a gloriously ambiguous ending that, in a sense, makes us members of the village. Seen as an indictment of the Gestapo in Vichy, France, it's more, and worth the quick 90-minute trip. Netflix it.
Scott Ellington wrote:
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Scott Ellington wrote:
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