Trailers postsWednesday March 21, 2018
Trailer: The China Hustle
“The China Hustle” is available via On Demand, iTunes and Amazon on March 30. Fingers crossed.
'Overboard': Early Candidate for Worst Movie of 2018
The trailer is two minutes long and there's not a laugh in it. It feeds off the misery of its characters—first the pretty blond, played by Anna Faris, and then the rich bastard, played by Mexican comedian Eugenio Derbez, who gets her fired, loses his memory, and is then fooled by AF's character into believing: 1) they're married, 2) he's sterile (to explain away the blond kids), and 3) he works three jobs.
It's a gender switch on the 1987 original, starring Goldie Hawn and Kurt Russell, but just think of that plot: an American teaches a Mexican about the value of hard work. Thanks, liberal Hollywood. Thanks for sussing out the cultural moment.
Directed by the writer of “Meet Dave.”
What's the best movie about a writer? Not a journalist but a real writer, a poet or novelist, and someone who actually existed. “Capote” maybe? Even there, it's Capote's investigation, and the drama surrounding that investigation, that intrigues us. It's not Capote at the typewriter. Rewrites are drag enough to do on your own; imagine watching someone do them.
Despite all that, Hollywood's having a go this fall with three new biopics of writers.
On Sept. 8, in “Rebel in the Rye,” Nicholas Houte plays J.D. Salinger, who escapes the horrors of his World War II experiences by writing “The Catcher in the Rye.”
On Oct. 13, in “Goodbye Christopher Robin,” Domhnall Gleeson plays A.A. Milne, who escapes the horrors of his World War I experiences by writing the Winnie-the-Pooh stories.
And also on Oct. 13, in “Professor Marston & The Wonder Women,” Luke Evans, our new go-to handsome scumbag, plays the titular (and titilated) professor, whose bondage fetishism, extramarital living arrangements and desire for submissive women, lead him to create the greatest female superhero of all time.
I think the last has the best shot of being good, but it's the Salinger that's closest to my heart. I'll probably see all of them anyway.
Random thought: Why are all three writers played by British actors when only one of them (Milne) is British? Scratch that. We know why. Americans never seem artist enough for Hollywood. Shame.
Random trivia: Marston died in 1947 in Rye, New York.
Non-random question: If you could see any author's life on film, whose would you choose?
Holding out hope that this will be the epigraph for the Salinger biopic:
“The goddamn movies. They can ruin you. I'm not kidding.”
– Holden Caulfield
Trailer: Borg (2017)
My friend Adam, a huge tennis fan, alerted me to this trailer:
For a second I thought it was Alexandar Skarsgaard as Born, but it's his father Stellan playing Lennard Bergelin, Borg's coach. Borg, a shocking likeness, is played by Sverrir Gudnason, who's been around a while. (He's nearly 40.) Also Swedish, thank God. The movie is a joint Swedish/Danish/Finnish production, directed by a Dane, Janus Metz Pedersen. The trailer highlights the Borg-McEnroe rivalry but it'll be interesting to see if the film does, since the film is simply called “Borg.” For now.
It opens in Sweden in September. Resistance is futile.
'Justice League' Trailer: I'm Bored Already
In the mid-1980s, Newsweek magazine began running a chart on its opening pages called “Conventional Wisdom,” in which they'd rank how people/insitutions did for the week. Were they up? Down? The same? It was the Rotten Tomatoes of news 20 years before Rotten Tomatoes.
Here's the “conventional wisdom” for the superheroes in the new “Justice League” trailer that dropped today:
- ↑ : Aquaman: He was always a joke, a running gag on “Entourage”: blonde hair, orange and green tights, sitting astride a sea horse and communicating with sea creatures. There was nothing cool about him. Now he's Jason Momoa, dark-haired and glowering, tattooed and desired and a heavy drinker. It works in a trailer, but I worry he's simply been “300”ed by director Zack Snyder. That it's all more empty posturing by the worst director in the world.
- ↑ : Wonder Woman: Fanboys initially shrieked because they felt Gal Gadot wasn't bosomy enough for the role, but she couldn't be. The fanboys needed to be able to focus on her actions not her assets. Hell, she's probably less fetishized here, less objectified, than Aquaman is. Who saw that coming?
- ↔ : The Flash: One thing “Justice League” has is good casting. Ezra Miller, good choice. But we don't see much more here than we've seen in the past.
- ↓ : Batman: In a Justice League story, the reality of Batman sets in. “What are your super powers again?” asks Barry Allen. “I'm rich,” he responds. “Dressed like a bat; I dig it,” says Aquaman. And that's about the size of it: rich guy dressed like a bat, surrounded by gods. Worse, he's the guy who gathers them. It's not a good role. Ben Affleck already looks trapped by it. Batman needs to be obsessed, half-crazed, rather than a den mother.
- ? : Cyborg: Nobody gives a shit. Still.
Justice League started so much. In 1960, it united the remaining superheroes in the DC world, and it gave inspiration for Marvel to create its own team of superheroes. That turned out to be the Fantastic Four, which led to Hulk, Spider-Man, Iron Man, Thor, Dr. Strange, X-Men, et al. Now DC is playing catch up with Marvel, which, nearly 10 years ago, movie by movie, put together its team of superheroes, the Avengers, and made a mint. DC is trying the same here and it feels, well, the same. Just dumber. “We have to be ready. ... There's an attack coming—from far away.” Really? You couldn't think of another reason for the Justice League to come together besides another attack from outer space/other dimensions? Aren't we sick of this yet? Aren't we sick of Zack Snyder's cold climes, gray tones, and monosyllabic heroes leaping in the air in slow motion ready to strike? Jumping, landing, standing, posing?
I know I am. If Justice League started so much, maybe “Justice League” ends it?
I know. But one can hope.