Movies - Theaters postsSaturday February 11, 2017
This weekend was one of my first free weekends in a while (sans going to an anti-Trump, pro-LGBTQ rally at Cal Anderson Park this morning), and I was planning on seeing a few of the better-reviewed films of 2016 that I missed. Namely:
Both of them, I believe, opened in Seattle the second week of January. I was particularly interested in seeing Martin Scorsese's “Silence.” The story intrigued. And it's Scorsese. And attention must be paid.
Guess what? They're no longer playing in Seattle.
Two weeks ago Thursday, “Silence,” distributed by Paramount, was playing in more than 1500 theaters nationwide. Last weekend it was playing in 152, including downtown Seattle. This weekend, 55, and none in Seattle. None in Tacoma, either. It is playing at the Academy Theater in Portland. That may be the closest.
Don't know how many theaters “Paterson” (dist.: Weinsteins) is playing in—two days ago it was in 58—but it is showing in Tacoma. There's that. If I want to travel there. Which I don't.
I guess both of these movies—along with “Hacksaw Ridge” and “The Founder”—got displaced in Seattle to make room for the likes of “John Wick Chapter 2” (3,113 theaters), “50 Shades Darker” (3,710) and “The LEGO Batman Movie” (4,088). Those three are taking up more than 10,000 screens nationwide, and more than 30 screens within a five-mile radius of me.
Before the Show at Pacific Place No. 9 for 'Furious 7'
I haven't done a “Before the Show” since Sept. 2009 but thought I'd trot one out again since I began taking notes before “Furious 7” Saturday afternoon. Blame “Friday,” or its 20th anniversary release, which semi-shocked me enough to reach for the notepad. Of all movies, “Friday,” starring Ice Cube and Chris Tucker, gets a 20th anniversary re-release? “Billy Madison” and “The Brady Bunch Movie” must feel slighted.
Quick note to AMC: Please make your PSAs shorter. We get the message without the round cows.
Not that the mucky-mucks are in a realm to pay attention. From AMC's Wikipedia's page:
AMC Theatres (often referred to as just AMC and previously known as AMC Cinemas) is an American movie theater chain owned and operated by AMC Entertainment Inc., which is itself owned by AMC Entertainment Holdings, Inc., a majority-owned subsidiary of Chinese conglomerate Dalian Wanda Group.
I saw eight trailers, which is about four too many. Thoughts:
- “Southpaw,” the Jake Gyllenhaal boxer flick. Light heavyweight champ, wife (Rachel McAdams) wants him to retire for their young daughter. Instead, the No. 1 contender trashtalks him into a fight, gun goes off, wifey dies. Jake's boxing license is then revoked, daughter is taken by child custody services. It's like two 1910s melodramas in one. Of course he climbs his way back. He needs to 1) reclaim his daughter's love and 2) regain his title. Wish it were just the first. Forrest Whitaker, taking the Morgan Freeman role, has a good line in this regard: “Gotta let her hate you,” he says, “so she can get better.” July 31. 60% chance it's good.
- “Avengers: Age of Ultron.” I like the notion that what we've created to make us safe comes back to haunt us. But what's missing is that “We have a Hulk” wit the first movie's trailers had. Saving it for the film? Please, God. Or Whedon. May 1. 49% chance it's good.
- “Paul Blart: Mall Cop 2”: I like it when it's parodying your typical action movie, but with Kevin James' roly-poly bod rather than, say, the Rock's ridiculous version. But the rest looks lowest-common denominator. I didn't see the first, doubt I'll see this one. Sometime in April. 15% chance it's good.
- “Poltergeist”: After “The Way Way Back” I'll see Sam Rockwell in almost anything; and it's Sam Raimi, who can normally do horror even if he killed the first Spider-Man franchise with “Spider-Man 3.” And “They already know what scares you” is a good line. The original scared me back in '82. But do we want to encourage this? Reboots and yadda-yaddas? May 22. 51% chance it's good.
- “San Andreas”: Another reboot of a kind but basically more apocalyptic porn. Irwin Allen gave us “Earthquake” in 1974 so now we get the CGI version of California crumbling—complete with The Rock and impossible rescues of Carla Gugino. At least Paul Giamatti's around to say smartish things. May 29. 20% chance it'll be good.
- “Mission: Impossible: Rogue Nation”: First, Tom Cruise is too old for that haircut. Second, do people still want to see him—particularly after “Going Clear” aired on HBO? But they'll want to see that stunt with the plane. The girl, btw (Rebecca Ferguson), does nothing for me. Maybe I'm must not interested in any girl who's interested in that boy. July 31. 20%. But I think I'd rather see the apocalyptic porn. I think.
- “Ted 2”: Amanda Seyfried plays a lawyer. Sure. June 26. 33%.
- “Straight Outta Compton”: I hadn't even heard of this, but I guess music biopics, particularly of black artists, are on the rise, so why not NWA? The dude they got for Ice Cube seems pretty spot-on. It's Ice Cube's year, isn't it? 20th anniversary for “Friday” and this. August 14. 55% chance it's good.
The trailers lasted approximately 25 minutes. Tack it onto a 137-minute runtime of “Furious 7” and it's “Schindler's List” length.
People at Pacific Place were pleasant, btw, including the enthusiastic box-office dude. Theater itself was nearly empty for a 12:30 show.
One Movie's Ceiling is Another Movie's Floor
I went to the Harvard Exit last night for the French film “Des hommes and des dieux,” which recently won the best film at the Cesar Awards, and which is flipped in the translation, for some reason, to “Of Gods and Men.”
It's a quiet film, with many contemplative moments, as befits a film that takes place mostly in a monastery; but the other film showing at the Harvard Exit, “The Last Lions,” a documentary about the dwindling African species, is a little less quiet. During the quiet, contemplative moments of my film, I kept hearing a faint but insistent bass beat, like the throb of a headache, from “The Last Lions”'s jungle/savannah soundtrack.
Both films take place in Africa but I doubt they're mix-and-match. Not sure what movie theaters like the Harvard can do about this. Book films according to soundtrack similarity?
I suppose I should be happy I can hear the lions at all.
Awwwwwwwww. But could you keep it down, please?
R.I.P.: Uptown Theater (1926-2010)
What can you say about an 84-year-old movie theater that dies? That it was cold and rundown? That it loved documentaries and foreign films? And “Transformers”? And me.
I first heard the prognosis a week ago when Patricia and I were having dinner at the home of Michael Upchurch and John Hartl, and John, long-time movie critic for The Seattle Times, dropped the bomb. I can't say I was suprised. Here's what I wrote in May 2009:
The Uptown was renovated in the early 1990s but that’s all I have on its history. It’s part of the AMC chain, but it’s an odd link in that chain. It usually plays small, independent films, or mid-range films, but occasionally it’ll show a big feature on opening weekend—as with “Angels & Demons.“ The place never seems crowded. Feels like it's dying. The 4:05, Friday showing of “Angels & Demons” had fewer than 16 people in an auditorium built for...300? Which doesn't bode well for either “A&D”’s box office or Uptown Cinema.
It got worse. I saw two movies there in the same week at the end of October: ”A Film Unfinished,“ in which I was joined by one other person, a man in his 60s, and ”Aftershock,“ in which I was joined by ... no one. When I left the theater, the guy working the popcorn stand asked me how the movie was. ”You're the only one who's seen it,“ he said.
How AMC handled ”Aftershock“ is part of the problem, John thought. They didn't advertise it at all. At all. No ads in the print version of The Seattle Times. ”Aftershock“ was a movie that set the box-office record in China this year and no one in Seattle knew it was playing. I only knew it was playing because I'd seen ”A Film Unfinished“ a few days before, me and the other guy, and they'd played the trailer for ”Aftershock“ beforehand, and I thought, ”That looks interesting.“ Then that Friday I walked past the theater—I work a block away—and saw it on the marquee.
A block away. I'm gonna miss that. Ever since I moved back to Seattle in September 2007 and began working in lower Queen Anne, I've had that opportunity, that convenience. The Uptown is where I was suprised by ”The King of Kong,“ charmed by ”Hors de Prix,“ disappointed in ”Angels & Demons,“ disgusted by the overwhelming stupidity of ”Transformers 2,“ and moved by ”Bright Star“ and ”A Film Unfinished.“ It's where I saw one of the first movies I reviewed for The Seattle Times, ”Titan A.E.,“ in 2000. It's where I attended special screenings for ”What Lies Beneath“ and ”Meet the Parents.“ Forgettable movies, but for some reason I remember seeing them at the Uptown.
There were problems. The sound wasn't always great, the films sometimes seemed dim, the theater often felt cold, the popcorn—when I bought it—tasted day-old. None of that was the Uptown's fault. It only closed because people stopped caring: AMC and moviegoers.
SIFFblog has a nice historical rundown here. The theater opened on May 25, 1926, showing ”The Sea Beast,“ an adaptation of ”Moby Dick" starring John Barrymore. The Seattle Star (R.I.P.) celebrated its grand opening:
The newest styles in projection machines of the reflector type are installed to prevent eye strain. A new Wurlitzer is to be put in, and Carl Weber's orchestra is playing. Dan Gipple is the manager.
There was a record-breaking crowd that night.
Before the Show at Regal Meridian No. 10
Theater: Regal Meridian
Location: Downtown Seattle
Seated: 4:40 for a 4:50 showing.
Most of the slides before the show were some variation of self-advertising: “Make an appointment with a PRIVATE SCREENING”; “Corporate movie tickets”; “Regal Gift Cards.” Plus the usual pleas to “ADVERTISE HERE.” Subtext: “So we DON'T.” There were also the usual movie-star quotes (“I gravitate toward gravitas” —Morgan Freeman) and trivia about just-opened, soon-to-be-forgotten movies (Question: “This actress was more than just a 'friend' in 'Love Happens'”). To top it off, they piped in music by bands like “Someone Say Something” and “Sugarland.” By the time the lights dimmed, you wanted to kill yourself.
Then we got the real ads on the movie screen:
- Morgan Freeman's voice telling us “VISA Debit is the safe, secure way to pay online.” Gravitas!
- Ford (“the thrust of a... the thirst of a...”). Someone's English major degree finally paid off.
- The “Crash” TV show: “If you're not using someone then someone's using you.” Jesus, right?
- The new “Jay Leno” show. Idiots say the darnedest things.
- Coke Zero w/NASCAR.
- The blowing up Mt. Rushmore/Sprint/Turn off your cell ad. Ha ha, blowing up national monuments is funny again. So glad.
- “Old Dogs”: From the director of “Wild Hogs.” They changed three letters in the title and added Robin Williams. This Thanksgiving? Seriously? Walt Becker gets Thanksgiving while Martin Scorsese gets pushed back to February.
- “Shutter Island”: Or does he? This thing is still being advertised as October. Mistake? BTW: Love Ben Kingsley's line reading here: “It's as if she vanished, straight through the walls.” It's officious, clinical and creepy.
- “Couples Retreat”: This is the movie that feels like February or March instead of October. Maybe the counter-programming will work, though. It's a good cast (the Double-V, as my friend Adam says), and if reviews are halfway decent I might go. “Now we've got a party.”
- “A Christmas Carol”: Disney, ImageMovers, and Walt Disney (again), and Robert Zemeckis, invite you to...waste your money. I think they mention Charles Dickens' name in their somewhere. Is it just me, or does the animation look stiff? The story feels slapsticky and comedic, too. The feeling the book gives you—that you're trapped by your circumstances, your personality, your history—is removed even before Scrooge's epiphany removes it. And the tagline? “What if you were given a second chance to get your life right?” Second chance? Every moment is a first chance. That's the whole point. Bah, humbug.