Trailers postsFriday March 08, 2013
Invasion USA: Two Lois Lanes, No Superman
One recent afternoon, going link to link on IMDb.com, I landed on the page for “Invasion USA” (1952). (“It will scare the pants off you!” ... Hedda Hopper) I was intrigued because that's also the title of a truly awful Chuck Norris movie from the Reagan-era 1980s. I wondered if this film, from the most frigid part of the Cold War, was its predecessor. Seems so. From IMDb's synopsis:
A group of people at a bar witness the unfolding events of a Soviet invasion of the USA.
It's also apparently worse than the Norris film. It has a miniscule 2.3 IMDb rating (Norris' film is at 4.8), and it's the butt on an entire MST3K program. That takes doing.
So why am I writing about it? I noticed that both 1950s-era Lois Lanes are in it. Noei Neill plays “Second Airline Ticket Agent” (although “First Airline Ticket Agent” doesn't make the cast list), while Phyllis Coates, higher billed, plays Mrs. Mulfory. The female lead is Peggy Castle, who mostly made B-pictures. Gerald Mohr is the lead. “War or no war,” he says in the trailer, “people have to eat and drink ... Or make love.” Then he grabs Ms. Castle and plants one.
Edward G. Robinson, Jr., son of, has a bit part as a radio dispatcher. It's his first screen role. He was in 23 pictures and died in 1973 at the age of 40. There's a million sad stories on IMDb.
I was hoping the two Lois Lanes had a scene together but it doesn't look like it. Neill is in this clip in which she has to tell a woman that Gardner Field, Montana, where she hopes to join her husband and children, has been attacked by an A-bomb. “All flights to Gardner Field have been discontinued ... permanently.”
Here's the trailer. SEE ... NEW YORK DISAPPEAR! SEE ... SEATTLE BLASTED! And don't miss the Peter Lorre-type trying to foment revolution against the boss until the U.S. Army comes through the door!
Two Lois Lanes but no Superman. No wonder the USA was invaded.
“All flights to Gardner Field have been discontinued ... permanently.”
Trailer of the Day: The World According to Dick Cheney
Unfortunately, we don't get ShowTime, where it premieres on March 15, so we'll have to seek it out some other way. That's assuming I want to spend 90 minutes listening to Dick Cheney.
But the director is R.J. Culter, who directed “The September Issue,” and who produced “The War Room” back in 1992. Good sign.
Star Wars VII by Michael Haneke
Turns out it was shown at the 2013 Cesars, so there's our answer. Unfortunately, this fact made me less impressed with the final product. If it's shown at the Cesars, instead of just on YouTube, shouldn't this be better? Funnier? It's still good. I also like that you can swear at the Cesars and apparently not get bleeped.
I'm curious. Did they do more faux trailers for the new “Star Wars”? Directed by other famous European directors?
And a show of hands: Who's seen both “Star Wars” and “Amour”?
Trailer of the Day: 'Midway' by Chris Jordan
WARNING: If you're like Patricia and have trouble viewing the death of animals, don't watch past 1:00 ...
I don't need “ocean of grief.” That's unworthy of the images. Otherwise this looks powerful and necessary. There's almost a Terrence Malick vibe. The filmmaker, Chris Jordan, is from Seattle, by the way.
Movie Trailers: Inside Llewyn Davis (2013)
The Coen Bros.' latest, “Inside Llewyn Davis,” starring Oscar Isaac and Carey Mulligan (troubled husband and wife in “Drive,” more troubled here), is apparently screening for L.A. insiders this week, according to this New York Times article by Michael Cieply. Cieply writes:
If the film has had a slight air of mystery in recent months, that is partly because the Coens, working with the producer Scott Rudin, their collaborator on both “True Grit” and “No Country for Old Men,” made the film with backing from the French company Studio Canal but with no predetermined American distributor.
After shooting in New York City and elsewhere last year, Mr. Coen said, the brothers finished the movie at their own pace. They could have rushed it into the Oscar season but didn’t. Instead a public debut at the Cannes film festival in May is possible, he said. And by then, assuming that buyers like it as much as Mr. Wald did,“Inside Llewyn Davis” may have an American distributor, an army of publicists and a release date.
But it's the closing line that makes me smile:
“How good you are doesn’t always matter,” he added. “That’s what the movie is about.”
Here's the trailer that's making the rounds:
If that left you hanging, as it's designed to, you can hear Mr. Isaac singing live at Caffe Vivaldi here.
By the way: Would anyone but the Coens get away with “Llewyn” in the title?
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