Trailers postsFriday March 29, 2013
Trailer of the Day: Gore Vidal: The United States of Amnesia (2013)
Could be good, could be crazy Cubans.
I certainly like this line:
Gore Vidal has been a thorn in the American establishment, of which he is, by birth at any rate, a charter member.
Reminds me of a line from one of my reviews of Vidal's books:
Gore Vidal is one of the great class traitors in American history and, for that, all of us who won't see a penny from the recent repeal of the estate tax should thank him.
One of the scarier lines is when Vidal, in the 1960s I believe, to William F. Buckley I believe, laments that, in the U.S., the top 5% own 20%, and the bottom 20% own 5%. Those were the days.
“Gore Vidal: The United States of Amnesia” will premiere at the Tribeca Film Festival in NYC on Thursday, April 18. After that? Who knows? Fingers crossed.
Reminder: the documentary, “Philip Roth: Unmasked” plays on PBS tonight. I'll be DVRing.
More Vidal posts at the link below.
Trailer of the Day: 'A La Merveille'
When I listed off my concerns about the trailer for Terrence Malick's “To the Wonder” the other day, my friend Dave, a fellow Malick lover, who was also worried that Malick was becoming a parody of himself, suggested I check out the French trailer, which he liked more:
Even the title is better in French: “A la Merveille.” According to Dave, the movie's working title was “The Burial.”
Trailer of the Day: Terrence Malick's 'To the Wonder'
Is the style overly familiar now? The images? The wheat fields and water and waves?
Or is it the theme?
This is the voiceover narration we hear from Javier Bardem, broken down:
- You shall love, whether you like it or not.
- Emotions, they come and go like clouds. Love is not only a feeling; you show love.
- To love is to run the risk of failure, the risk of betrayal.
- You fear your love has died; perhaps it is waiting to be transformed into something higher.
- Awaken the divine presence which sleeps in each man, each woman.
- Know each other in that love that never changes.
I like the first line, particularly the implied threat in it.
Another site has the second line ending with “You shall love,” which is a repetition of the first sentiment, but I thought he said you show love. It's not just a feeling, in other words; there's action involved. It's something, you could add, you can't hide. Another implied threat.
3. is obvious. Not a fan of 3.
4. is where I fear I am sometimes. Nice thought at the end, though. Wish fulfillment?
The last two lines connect the human and the divine through love. The messy human component, with its failures and betrayals and fadings (per “Annie Hall”), is a mere flake of the divine, absolute, unchanging love of God. We just deal with it poorly. We render it less than absolute, less than divine. But know it to be divine.
That seems to be what we're getting here. I'd like to agree. But I'm stuck on 4.
Opening limited April 12.
Trailer of the Day: Average Party
So not a real movie.
I actually think this kind of thing would work for a studio comedy now and again. Or once. Play to the reality of the situation rather than the wish-fulfillment fantasy. Satirize the genre without buying into the tropes of the genre for the second half of the film—a la “The Other Guys” and “21 Jump Street.” But that would take risk and imagination. Artists want to make the new; businessmen want to make what's made money.
Invasion USA: Two Lois Lanes, No Superman
One recent afternoon, going link to link on IMDb.com, I landed on the page for “Invasion USA” (1952). (“It will scare the pants off you!” ... Hedda Hopper) I was intrigued because that's also the title of a truly awful Chuck Norris movie from the Reagan-era 1980s. I wondered if this film, from the most frigid part of the Cold War, was its predecessor. Seems so. From IMDb's synopsis:
A group of people at a bar witness the unfolding events of a Soviet invasion of the USA.
It's also apparently worse than the Norris film. It has a miniscule 2.3 IMDb rating (Norris' film is at 4.8), and it's the butt on an entire MST3K program. That takes doing.
So why am I writing about it? I noticed that both 1950s-era Lois Lanes are in it. Noei Neill plays “Second Airline Ticket Agent” (although “First Airline Ticket Agent” doesn't make the cast list), while Phyllis Coates, higher billed, plays Mrs. Mulfory. The female lead is Peggy Castle, who mostly made B-pictures. Gerald Mohr is the lead. “War or no war,” he says in the trailer, “people have to eat and drink ... Or make love.” Then he grabs Ms. Castle and plants one.
Edward G. Robinson, Jr., son of, has a bit part as a radio dispatcher. It's his first screen role. He was in 23 pictures and died in 1973 at the age of 40. There's a million sad stories on IMDb.
I was hoping the two Lois Lanes had a scene together but it doesn't look like it. Neill is in this clip in which she has to tell a woman that Gardner Field, Montana, where she hopes to join her husband and children, has been attacked by an A-bomb. “All flights to Gardner Field have been discontinued ... permanently.”
Here's the trailer. SEE ... NEW YORK DISAPPEAR! SEE ... SEATTLE BLASTED! And don't miss the Peter Lorre-type trying to foment revolution against the boss until the U.S. Army comes through the door!
Two Lois Lanes but no Superman. No wonder the USA was invaded.
“All flights to Gardner Field have been discontinued ... permanently.”
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