Trailers postsTuesday December 16, 2014
Trailer: 'Knight of Cups' is Terrence Malick's '8 1/2' and 'La Dolce Vita'
Or has aspects of each anyway: the director who's lost his way, the journalist who's lost his soul.
“Knight of Cups” is apparently a Tarot card. From Wiki the wicked:
If the card is upright, it represents change and new excitements, particularly of a romantic nature. It can mean invitations, opportunities, and offers. The Knight of Cups is a person who is a bringer of ideas, opportunities and offers. He is constantly bored, and in constant need of stimulation, but also artistic and refined. He represents a person who is amiable, intelligent, and full of high principles, but a dreamer who can be easily persuaded or discouraged.
Reversed, the card represents unreliability and recklessness. It indicates fraud, false promises and trickery. It represents a person who has trouble discerning when and where the truth ends and lies begin.
One assumes the creative one is Malick, easily persuaded, easily made unreliable and reckless, by Hollywood in the ... '70s? “Let me tell you about you” means “I'll make you the you I think you are, while you lose you in the process.”
Of course, we all lose you in the process, don't we?
But thank God for the conflict. Otherwise it looks too much like “To the Wonder,” and that's Malick's weakest film. Bale is Affleck (Batman bros), and Portman, Poots and Blanchett are some combination of Kurylenko and McAdams.
Another concern: No script. It was all improvised. Malick is disappearing down the hole of his own creativity and he's either going to bring back something amazing, or drown.
Sheets again, too. They're replacing wheat.
“All of those years ... living the life of someone ... I didn't even know.”
Trailer: The Walk
This thing, a Robert Zemeckis feature, based upon “Man on Wire”—about Philippe Petit's walk across the World Trade towers in 1974—made my legs turn to jelly. Not sure how I'll handle the movie. And in iMax no less? Oy.
I'm a fan of Joseph Gordon-Levitt, but as Petit I think I would've preferred someone a bit more ... French.
Out in October 2015.
'The Nostalgia is Strong With This One': 10 Thoughts on the Teaser for 'Star Wars: The Force Awakens'
I'm sure you've already seen it by now, but here it is again:
Thoughts as I watched:
- 00:13: Ah, the sands of Tatooine. But then, “Phantom Menace” began that way, too. (See: this poster.) Doesn't mean the movie will be any good.
- 00:15: That's not Morgan Freeman's voice, is it? Please, no.
- 00:22: Hey, aren't all stormtroopers clones of Jango Fett? And if this dude's a stormtrooper, and he's scared, well, isn't that good? Or is he a good guy undercover—like Luke and Han in the original?
- 00:29: A bowling-ball droid. I like the 1970s-era markings. Orange and blue were my high school colors.
- 00:39 Cute girl. (Daisy Ridley, it turns out.) And, like Tatooine, playing on our “Star Wars” nostalgia: from what she's wearing, to what she's riding, to the camera movement in on her. It almost feels like a shot-for-shot remake of something in “Return of the Jedi.”
- 00:44: This plays even more to our “Star Wars” nostalgia: the close-up static shot of the rebel in the X-wing fighter. Slightly different-colored uni but same orange eyeshade. Hey, is that Oscar Isaac?
- 00:59: The Dark Side ... has the light? Has delight? And while it looks cool to extend the crackly portion of the light sabre into the guard, creating a cross, does it make it more effective as a weapon? I mean, doesn't it defeat its own purpose? It's supposed to guard your hand, not cut it off.
- 1:00: The return of the Millennium Falcon and that triumphant “Star Wars” score from John Williams. OK, J.J. Abrams, you just won me over.
- 1:20: December 2015? Since when were “Star Wars” movies released in December? (Answer: Never. They've always been released in May. Actually, in a nine-day period in mid-May: May 16-25. So this is the biggest break from tradition in the movie: its release date.)
- 1:25: The Force Awakens? So ... was it asleep?
For all the corporate calculation in this, think how powerful the “Star Wars” myth is. Over a 40-year period, there have been six movies released in six-year clusters (1977-83 and 1999-2005), and yet only two of them have been good. In fact, we haven't seen a good “Star Wars” movie since 1980. Yet we're still all chomping at the bit to see this one. It's either the myth or the nostalgia, and the nostalgia's powerful with this one.
Trailer: The Age of Adaline
This looks awful:
Jeff Wells is right: “Twilight Zone” ran a similar episode in 1960, “Long Live Walter Jameson,” that dealt with the darker aspects of immortality—how we keep making the same mistakes over and over; how we never learn. Basically, those who live through history are doomed to repeat it.
Adaline, played by Blake Lively, doesn't have the centuries of Walter Jameson but she does have a century—a rather monumental century. Born in 1908, she's rendered immortal during a magic-realism car accident in 1935. She's been on the run ever since. Apparently she runs into the arms of men and then away from them again; away from her kids, too. Then into the arms of men again. Modern day, it's a lanky, bearded Brit. I lost all interest in the movie at 1:48 when she drives off in a taxi, he cries, “Wait,” and then, worried, “How do we get in touch?” And this look from our 106-year-old:
It's the look of a fucking schoolgirl, not someone who's lived 100 years. There should be wisdom in her eyes. Sadness. Something.
Favorite moment? The actor playing the young Harrison Ford delivering his crooked smile:
How about Adaline as metaphor for the country? She stays perpetually young and learns nothing. She could help the world but it's all about her.
Hope she's not a Cubs fan. That would be cruel.
What's Wrong with the Peanuts Movie Trailer?
It's the laughter.
First, everyone laughs because Snoopy plugs Woodstock into a socket? And he keeps getting lit up? As if electrocuted?
Then everyone laughs because Charlie Brown dumps a bucket of popcorn on his head? In “Peanuts” of old, yes, everything went wrong for good ol' Charlie Brown; but when the other kids laughed at him, we didn't think it was funny; we didn't identify with the other kids; we identified with Charlie Brown.
Plus the titles are too spread apart. “NEVER STOP” comes at 0:19, “DREAMING BIG” at 0:30. By which point we're wondering, “Wait, what about dreaming big again?”
Christmas 2015, apparently. Directed by Steve Martino, who directed “Horton Hears a Who.”
Really, this just makes me sad. They're obviously try to revive the series with the same sounds for Snoopy and Woodstock, and with the Sopwith Camel, but they miss out on the most essential element.