Trailers postsWednesday June 01, 2016
Trailer: Tickled (2016)
I would've gone to this movie at SIFF 2016 if I'd known what it was about, but I saw the promo photo—buff guy in chains getting tickled—and went, “Nah.”
But “Tickled” is more than a doc about tickling fetishists. It's about the NY company behind tickling videos, who's running it, and—based on conversations with friends who have seen the doc—whether what they're doing is criminally liable:
Now the filmmakers are being sued, and a website is devoted to discrediting the movie. Which makes me want to see it all the more.
Trailer: Billy Lynn's Long Halftime Walk
This has a chance of being great. Ang Lee, yo. And it hits the right points about what's wrong with America (war as spectator sport, PR, not owning who/what you are), and maybe what's right. I just hope it doesn't hit them too hard, or misses for political/financial reasons. Great title, too.
Shocking seeing Vin Diesel in this, but he was in “Saving Private Ryan” before he turned himself into a cartoon. Kid (Joe Alwyn) looks about perfect. And when is Garrett Hedlund going to be a star? I thought that would've happened already.
Here's an excerpt from the New York Times review of the Ben Fountain novel on which the movie is based:
All this unfolds amid the constant attention of the public. Left to themselves, the Bravos act like a bunch of street-corner pervs who snap into politeness when required. Events are complicated by the halftime fireworks, which risk setting off P.T.S.D. flashbacks among the soldiers, who, if provoked, are primed to respond as a pack.
Trailer: The Founder
Fingers crossed. Keaton looks good, it's got John Carroll Lynch and Nick Offerman as the McDonald brothers, and it's written by the guy who wrote “The Wrestler.” More worrisome, it's directected by John Lee Hancock, who gave us “The Blind Side,” “Saving Mr. Banks,” and the 2004 version of “The Alamo.” Not a great track record. But a great American story. Fingers crossed.
Trailer: Fastball (2016)
I'm there for this, despite the presence of #2bercular. Looks interesting. Good choice for narrator, too. Due in theaters March 25 but probably available online shortly around then.
Jeff Wells has a nice short post here about going to batting cages with his son and not being able to hit 50- and 60-MPH pitches. It's amost a confession. Of course, he was in his, what, 50s then? In my 30s I used to go to the batting cages quite a bit, ostensibly to get ready for softball, but we'd always take a couple of rounds in the fastball cage. I could do 60s for a while but that was about it.
I've also done the opposite—those carnival-like speed pitch booths, where they time how fast you're throwing. Again, best I ever did, and this was about 20 years ago, was low 60s. That's not even a Jamie Moyer changeup. Professional baseball pitchers can't even throw that slow; I don't think they know how. And that's me practically throwing my arm out.
Again, looking forward to this.
'That's America's Housing Market': The Guy Behind 'Anchorman' Explains the Global Financial Meltdown
Here's a scene from the upcoming film, “The Big Short,” based upon the book by Michael Lewis, and directed by Adam McKay, who has mostly directed comedies: “Anchorman,” “Talledega Nights,” “Step Brothers,” and “The Other Guys”:
Things to love about this scene:
- Steve Carrell's impatient, “OK,” after Gosling's opening salvo: “What do you smell?/I smell money.” It's the polite version of, “Get on with it, ClownFace.”
- “Layers of tranches” leading to an on-screen explanation of “tranches.”
- “Somewhere along the line, these Big Es and Double Big Es [is that right?] went from a little risky to dogshit. Where's the trash.”
Plus the fact that they're trying to explain why the world works as it does.
Michael Lewis has a nice piece in the latest Vanity Fair on Hollywood turning his books into movies. His take is the antithesis of almost every take I've read on Hollywood. To most people, Hollywood is a place full of rapacious, rude, lowest-common-denominator crapmakers. To Lewis, the people in Hollywood are polite, charming, sadly inefficient, but when they get around to it they do a great job making movies from his books, including “Moneyball” and “The Blind Side.” But he never thought anyone would make a movie out of “The Big Short.” Too complicated. Here's the money shot:
High finance touches—ruins—the lives of ordinary people in a way that, say, baseball does not, unless you are a Cubs fan. And yet, ordinary people, even those who have been most violated, are never left with a clear sense of how they've been touched or by whom. Wall Street, like a clever pervert, is often suspected but seldom understood and never convicted.
It is my hope that Adam McKay's The Big Short might actually help change this situation.
Opens December 23.