Movies - Box Office postsSunday April 06, 2014
'Captain America: The Winter Soldier' Sets April Box Office Record
We all know Captain America has a nice ass but does he have legs? That’ll be the question for next weekend.
The second of the Captain America movies, “The Winter Soldier,” set an April box-office record with an estimated $96.2 million opening weekend, breaking “Fast Five”’s $86.2 million open in April 2011, but in a way it was a disappointment. It got great reviews (89% on Rotten Tomatoes), good audience feedback (95% on same), and its Thursday midnight haul of $9-$10 million indicated it might do $110-$120. But $96.2 million will have to do.
Again, that’s the best April opener, the third-best spring opener, and the 30th best all-time, but the key will be the comeback. How will it do in its second weekend? Does it have legs?
“Noah” doesn’t. It fell off 61.1% this weekend for $17 million and second place. “Divergent” neither. In its third weekend, it fell off by 49% to $13 million and a $114 million total. The would-be “next ‘Hunger Games’” probably won’t gross overall what “Hunger Games” grossed its opening weekend. Arnold Schwarzenegger, in particular, no longer has legs. His “Sabotage” opened abysmally at $5.2 million but still fell off 63.8% in its second weekend. Its total thus far? $8.7 million. Over and out.
What has legs? “God’s Not Dead,” a supposedly awful movie (20% RT score) about a plucky Christian freshman who engages his smug, atheist college professor (former “Hercules” Kevin Sorbo) in a debate about the existence of God. It fell off by only 12% to finish fourth with $7.7 million and a total gross of $32 million. So maybe this is the answer for Arnold. Maybe he needs to find religion. Or attack atheistic Hollywood. Or both.
A better movie that has legs is “The Grand Budapest Hotel,” which finished fifth with $6.3 million for a total gross of $33 million. Unadjusted, that’s Wes Anderson’s third-biggest box office hit—after “Royal Tenenbaums” ($52 million in 2001) and “Moonrise Kingdom” ($45.5 million in 2012).
Milestones: “Mr. Peabody & Sherman” added another $5 mil to pass the $100 million mark, “The LEGO Movie” assed $250, and internationally “Frozen” passed “The Dark Knight Rises” to become the ninth-biggest worldwide box-office hit.
The weekend numbers here.
Tune in next week for a peek at Cap’s legs.
Hmmm... legs ...
Hollywood B.O.: 'Noah,' Not Considered a Christian Movie by Box Office Mojo or Christian Groups, Grosses $44 Million
Over the weekend, Darren Aronofsky’s “Noah,” starring Russell Crowe, grossed $44 million in the U.S. How does that rank among Christian movies? It took a little work to figure out because Box Office Mojo doesn’t consider “Noah” a Christian movie. This is its definition of a Christian movie:
Movies produced by Christians that promote or embody their religions.
So a story based upon Chapters 6-9 of Genesis is not considered Christian because it was produced by ... Ari Handel? Paramount Pictures? Hollywood? Because it wasn’t Christian conservative?
If we were to consider it a Christian movie, (and why the fuck not?), “Noah” would’ve had the fourth-best opening ever in that category: after “Passion of the Christ” ($83m), and the first two “Narnia” movies ($65m, $55m).
(Sidenote: Where does “Noah” rank among movies starring Russell Crowe? If you don’t count “Man of Steel”—and I don’t—it’s ... No. 1.)
A reason to consider “Noah” a Christian movie besides the Book of Genesis is the fact that the Breitbart site doesn’t. They whine in their usual fashion. OK, writer Sam Sorbo whines. She also promotes her husband Kevin Sorbo’s movie, “God’s Not Dead,” without disclaimer. Classy. Admittedly, hubby’s film did well, $9.5m in its second weekend, dropping only 1.5%, but journalistic rules are journalistic rules. Even for Mrs. Hercules. Or maybe she thinks we all know.
In a way, “Noah” and “God’s Not Dead” demonstrate the Catch 22 that Hollywood has if it wants to, as Sorbo writes, “cash in” on “how the American public is clamoring for faith-based films.” It’s this: Hollywood needs to promote religious movies as if they’re “the religious movies Hollywood doesn’t want you to see.” The movie needs to be part of the culture wars. Christians need to feel like they’re not only showing love for their religion but spiting Hollywood. Which is stronger: love or spite? I’d go for the spite. So: a Catch 22.
Elsewhere, “Divergent,” no “Hunger Games,” fell off 51% in its second weekend and is currently at $95 million. “Muppets” fell off 33% but has grossed only $33 million in a week and a half. “Mr. Peabody & Sherman,” a smart animated movie written by my friend Craig (see, Mrs. Sorbo?), fell off only 19.7% for another $9.5 million. It should pass $100 million next weekend.
The sound you didn’t hear this weekend? Anyone going to see Arnold Schwarzenegger’s “Sabotage,” which got a 22% on RT and grossed just $5.3 million. Adjusted, that’s his worst opening evah. Question: Is it a tumor? Maybe Arnold knows.
Another sound you didn’t hear this weekend? “Captain America: Winter Soldier.” It grossed a noisy $75.2 million but that was abroad. America gets sloppy seconds on “Captain America” next weekend.
More numbers flooding in here.
Mr. Peabody Strongarms ‘300,’ Blows Past ‘Need for Speed’
Mr. Peabody & Sherman: Fast enough.
In its second weekend, “Mr. Peabody & Sherman,” written by my friend Craig, was the top movie at the box office, grossing $21.2 million for a domestic total of $63.1. It’s made about that much again abroad. Not great but still #1. Plus I think the quality of it will find an audience with parents who want a bit of history with their kid’s roller-coaster ride.
Last week’s winner, “300: Rise of an Empire” fell off big, 57%, for a weekend gross of $19 million and second place. The less said.
Meanwhile, the new big release, “Need for Speed,” opened weak at $17.8 million. No surprise Video game adaptations have never done well at the box office. According to Box Office Mojo, 33 video games have been turned into movies, and only one has grossed more than $100 million: “Lara Croft: Tomb Raider,” way back in June 2001; and that probably had a little to do with star Angelina Jolie in her tank top and shorts. Gamers just aren’t goers. And “Speed” star, Aaron Paul, may have made fans with AMC’s “Breaking Bad,” but I doubt those fans are also fans of dopey race-car movies. Anyone know the venn diagram on that? Anyone want to create one?
The other semi-big release, “Tyler Perry’s The Single Mom’s Club,” bombed, bringing in $8.3 million in 1,896 theaters, which is the second-weakest opening for any of his 16 films after last year’s “Tyler Perry Presents Peeples” ($4.6 million and a total gross of $9.1 million). Maybe the key is in the saturation: 16 films in nine years? Dude, spend some time on a rewrite.
“Non-Stop” grossed another $10 million ($68 domestic), “The LEGO Movie” another $7 ($236), “Son of God” another $5 ($50).
Happily, Wes Anderson’s “The Grand Budapest Hotel” grossed $3.6 million in just 66 theaters for eighth place. And “Frozen,” still in the top 10 after 17 weeks, added another $2 million for a domestic total of $396 and a worldwide of $1.026 billion. Let it go.
Breitbart's 2014 Box Office Predictions Obvious, Lack Context
Bretibart says Katniss will rise highest two years in a row. Has that ever happened?
The Breitbart site has given us its 2014 box-office predictions two months into 2014, but what the hell. The first two months are always throat clearing for Hollywood anyway.
Among its predictions?
- “Mark Wahlberg will become the industry's next big action star.”
- “With films 300: Rise of an Empire, Maleficent, Divergent, X-Men: Days of Future Past, and Dolphin Tale 2 set to open well, a lot of new talent will be joining current new talent heavyweight Jennifer Lawrence.”
- “Hunger Games: Mockingjay Part One Will Be Year's Biggest Grosser.”
Wow, going out on a limb, BB. My responses:
- Wasn't he 10 years ago?
- New talent? You mean Shailene Woodley from “The Descendants”? Or maybe Sir Ian McKellan from “X-Men”? It would be nice if they named names, as their political ancestors did.
- The sequel to the biggest movie of 2013 will be the biggest movie of 2014? Shocker!
Actually, wait. Maybe that last one is a shocker. Has the same franchise movie ever been the year's biggest movie in back-to-back years?
Here's a list of sequels that were the biggest domestic box-office hits of the year, followed by time removed from predecessors:
- 1980: “The Empire Strikes Back” (Three years after “Star Wars” was 1977's biggest movie)
- 1983: “Return of the Jedi” (Three years after “Empire” was 1980's biggest movie)
- 1991: “Terminator 2” (Seven years after the first movie was the 21st-biggest-hit of 1984)
- 1999: “The Phantom Menace” (16 years after “Jedi” was 1983's biggest movie)
- 2003: “Lord of the Rings: Return of the King” (One year after “Two Towers” was the second-biggest movie of 2002)
- 2004: “Shrek 2” (Three years after “Shrek” was the third-biggest grosser of 2001)
- 2005: “Revenge of the Sith” (Three years after “Clones” was the third-biggest movie of 2002)
- 2006: “Pirates of the Caribbean: Dead Man's Chest” (Three years after the first “Pirates” was the third-biggest movie of 2003)
- 2007: “Spider-Man 3” (Three years after “Spider-Man 2” was the second-biggest grosser of 2004)
- 2008: “The Dark Knight” (Three years after “Batman Begins” was the eighth-biggest hit of 2005)
- 2010: “Toy Story 3” (Eleven years after “Toy Story 2” was the third-biggest hit of 1999)
- 2011: “Harry Potter and the Deathly Hallows Part 2” (One year after “HPATDH Part 1” was the fifth-biggest grosser of 2010)
- 2013: “The Hunger Games: Catching Fire” (One year after “The Hunger Games” was the third-biggest hit of 2012)
Two things you notice about the above: 1) Sequels used to be spaced three years apart and now come more quickly, thanks to CGI; and 2) we're loving our sequels more and more. Or maybe Hollywood's just better at making them. For two decades, in the 1980s and '90s, only four sequels were the year's biggest hit: three “Star Wars” movies and “T2.” But in the last decade? A sequel has been the year's biggest hit every year since 2003 with the exception of 2009 (“Avatar”) and 2012 (“The Avengers”); and you can make an argument for the latter as a sequel.
Anyway, the larger point stands: The Breitbart site seems to be predicting the obvious but is actually predicting something that's never happened. They should have mentioned that in their post.
The above stats are taken from Box Office Mojo, which tracks back only to 1980. Numbers before then are an iffy territory (if they're not now). But if you do go back further, as I did with “The Hollywood Reporter of Box Office Hits,” you'll find one sequel that was the No. 1 box office hit of the year one year removed from its original. “The Bells of St. Mary's,” with Bing Crosby as Father O'Malley, was the No. 1 movie of 1945 the year after “Going My Way,” with Bing Crosby as Father Chuck O'Malley, was the No. 1 movie of 1944.
So it has been done. Once. Seventy years ago.
Breitbart site? It's called research.
Katniss is trying to do what only this man has ever done. But can she sing?
Hollywood B.O.: Rare, Early Threepeat for 'Lego Movie' and 'Ride Along'
It's the last weekend in February and only two 2014 movies have topped the weekend box office charts: “Ride Along,” the buddy comedy starring Kevin Hart and Ice Cube, and “The Lego Movie.” That's rare. Movies, particularly at this time of year, are generally more disposable.
Compare with 2013 when by the eighth weekend we'd seen six 2013 movies top the charts: “Texas Chainsaw 3D” and “Mama” and “Hansel and Gretel” and “Warm Bodies” and “Identity Thief” and “A Good Day to Die Hard.”
Compare with 2012 when by the eighth weekend we'd seen eight 2012 movies top the charts: “The Devil Inside” and “Contraband” and “Underworld: Awakening” and “The Grey” and “Chronicle” and “The Vow” and “Safe House” and “Act of Valor.”
Last year, no movie reigned atop the box office charts for three weekends until “Gravity” did so in October. This year, it's February, and we already have two.
It helps to have lame competiton. Only two 2014 wide-release movies have been certified fresh on Rotten Tomatoes: “Lego” (96%) and “About Last Night” (76%). “Ride Along” wasn't exactly for the critics, either (17%), but it's ridden the Kevin Hart wave to $123 million and counting. “Lego” is at $183 million and climbing. No other 2014 movie has broken $60 million.
So is this a trend? Are we finally tired of disposable movies? Are we coming together to watch the same thing again? To have the same conversation again?
Naw. So enjoy it while it lasts.
The weekend numbers via Box Office Mojo.
“The Lego Movie”: Keeping ahead of the other disasters.