Movies - Box Office postsSunday June 15, 2014
Weekend Box Office: ’22 Jump Street’ Takes Giant Leap, ‘Stars’ Fall
This weekend, it was all about the Jonahs.
Last month, “Neighbors,” starring Seth Rogen and Zac Efron, trounced the second weekend of “The Amazing Spider-Man 2” with a $49 million opening. It was the third-highest opening weekend gross for an R-rated comedy (unadjusted), after “The Hangover Part II” ($85.9 million) and “Jackass 3-D” ($50 million).
Now it’s fourth. “22 Jump Street,” an R-rated sequel to the 2012 comedy, which was based on the 1980s TV show, opened this weekend with $60 million. That’s almost twice the original’s opening gross ($36 m). It’s also the best opening for either star, Jonah Hill or Channing Tatum, in a non-animated movie. And of course it’s No. 2 all-time for R-rated comedy opening weekends.
Speaking of No. 2s, Jonah Hill and animation: the No. 2 movie this weekend was “How to Train Your Dragon 2,” in which Hill reprised his secondary role as Snotlout Jorgensen. The Dreamworks movie grossed $50 million. (The original opened at $43 million in 2010.) This weekend, it’s all about the Jonahs.
The bigger news? How steeply “The Fault in Our Stars” fell: 67.2%, to $15 million and fifth place. Other movies that opened well and then fell 67% in their second weekend include two of the “Saw” sequels, “Watchmen,” “The Day the Earth Stood Still” (Keanu Reeves version) and “The Village,” the movie that began to sour everyone on M. Night Shyamalan. So not good company. Most of these movies wound up grossing about twice their opening weekend numbers. Apparently the well for movies about cancer-stricken teenagers in love isn’t as deep as we thought.
Better news for “Maleficent” and “Edge of Tomorrow.” The former fell 44% for $19 million and third place. It’s already grossed $163 million domestically and $436 worldwide. Tom Cruise’s movie, meanwhile, dropped only 43% for $16 million and fourth place. It’s grossed only $56 million domestically but $237 worldwide. It’s also supposed to be good.
Better news, too, for “X-Men: Days of Future Past,” which fell 37% for $9 million and sixth place. It’s now the third-highest-grossing movie of the year. Spider-Man Schmider-Man.
What to make of all of these comedies doing so well? I have no idea. I’ve been at SIFF.
MONDAY UPDATE: The actuals were much worse than the Sunday morning predictions. Apparently everyone was watching ... I don't know. The World Cup maybe? Anyway:
- “22 Jump” grossed $57 not $60.
- “Dragon 2” grossed $49 not $50.
- “Maleficent” dropped a mil to $18 while “Edge of” did a little better: $15.5 rather than $16.
More importantly, “Fault” didn't fall off 67.2% but 69.2%. How bad is that? That's Ang Lee “Hulk” bad. That's “Year One” bad. That's “Jonah Hex” bad. Maybe I don't have to see the movie after all. I wonder what the schoolgirl scuttlebutt is?
More Box Office: MacFarlane’s Loss is Breitbart’s Loss
I try not to engage in schadenfreude too much unless it involves, you know, the usual suspects: the New York Yankees, Derek Jeter, the GOP, Ted Cruz, Sarah Palin, George W. Bush, Donald Rumsfeld, Dick Cheney, Fox News, Roger Ailes, Bill O’Reilly ...
OK, so I have a lot of usual suspects.
The point is I get no joy out of how poorly Seth McFarlane’s “A Million Ways to Die in the West” has performed at the box office: $30 million thus far after a week and a half. True, I wasn’t the biggest fan of “Ted,” and I don’t watch “The Family Guy,” but I did defend his Oscar hosting. And I did include one of the lines from “Ted” among my top 10 lines of the year for 2012. Plus when I first saw the trailer to “West,” I thought it looked good. So no joy there.
The joy I get is seeing the right-wing Breitbart site wrong again.
In March, they wrote this among their predictions for 2014 box office:
“Remember, you heard it here first.”
Can these guys get anything right?
Girl, Girl, Boy: ‘Fault in Our Stars,’ ‘Maleficent,’ Top Tom Cruise at Weekend Box Office
A well-reviewed Tom Cruise sci-fi thriller (89% on RT) got swamped by a well-reviewed young-adult romance about two teenage kids with cancer (91% on RT), and it wasn’t even close. “The Fault in Our Stars,” based on the novel by John Green, and starring Shailene Woodley, grossed $48 million in 3,173 theaters, while “Edge of Tomorrow” grossed $29.1 million in 3,490 theaters. So about half. “Edge” couldn’t even top Angelina Jolie’s “Maleficent.” In its second weekend, the upended fairy tale dropped 51% but still grossed $33.5 million in 3,948 theaters.
Will Hollywood studios take notice? Will they assume a greater audience for smaller, more dramatic stories? Possibly starring women?
Eh. It takes a long time to turn that battleship. And in terms of worldwide box office, it’s a moot point: “Edge” has already grossed another $111 million abroad while “Fault” has grossed exactly nothing. Its studio probably figures it won’t play well internationally.
But “Fault”’s domestic performance is interesting nonetheless. It’s a bit of a shocker. In terms of teen romance, 1980 to the present, this is the biggest opener for any movie that doesn’t have “Twilight” in the title. After the five “Twilights,” which opened from $142 million to $64 million, you have “Fault” and its $48 million. Then? “Save the Last Dance” at $23 and “Step Up” at $20. After that, it’s in the teens, and then quickly into the single digits. This order doesn’t change even if you adjust for inflation.
It’s also the biggest opener for a Y-A adapation that doesn’t involve superpowers of some sort: I.e., not “Twilight,” “Hunger Games” or “Harry Potter.” Oh, and plus “Divergent,” Woodley’s “Hunger Games”-ish counterpart that opened slightly higher ($54 million in March) but monumentally more disappointing (“HG” numbers were hoped for).
In other news, “Captain America: The Winter Soldier,” in its 10th weekend, finally surpassed “The LEGO Movie” to become the year’s biggest movie thus far. Emphasis on “thus far.” It’s at $255 million.
Weekend Box Office: 'Maleficent' Magnificent; 'A Million Ways to Die' Finds a Million and First
Angelina Jolie in “Maleficient”: Her eyes say no no no, but her lips? Well, they say no, too.
If this doesn’t spur them to make “Wicked,” nothing will.
In its opening weekend, “Maleficent,” a rewrite of “Sleeping Beauty” from the wicked witch’s perspective, grossed $70 million domestically and another $100 million worldwide. Domestically, it’s the best opening of the year for a non-superhero, non-giant lizard movie. It’s also the best opening of Angelina Jolie’s career.
The other big opener, Seth MacFarlane’s “A Million Ways to Die in the West,” added a million and first way to die: It grossed only $17 million in 3,000+ theaters. This has to be a disappointment. MacFarlane’s “Ted,” after all, opened at $54 million in June 2012.
The initial trailers for “Million Ways” looked good, but its Rotten Tomatoes score is only 33% (39% for top critics), while its audience score is a low 52%. “Maleficent” is hardly “Frozen” in its critical acclaim: 51% / 50% / 77%. But maybe that was enough. It was enough to know it wasn’t awful.
Besides, if a mediocre, upside-down fairy tale can do this kind of business, what might “Wicked” do?
The new “X-Men” movie, despite critical and audience acclaim (92% / 95% / 95%), fell off by 64.1% for second place. Are people tiring of superhero movies? Or blockbusters? “The Amazing Spider-Man 2,” which opened at $91 million, grossed $3.7 million in its fifth weekend (seventh place) and looks lucky to break the $200 million barrier. “Godzilla,” which opened at $93 million, is falling even faster.
Comedies fall less fast, and both Adam Sandler’s “Blended,” in its second weekend, and Seth Rogen’s “Neighbors,” in its third, fell off in the 40s: 41% and 45%, respectively. It’s interesting to look at “Blended”’s RT numbers. Critics hated it, of course (14% / 11%) but its audience likes it: 72%. At the same time, it’s only at 5.8 on IMDb. No matter: it’s a bomb by Sandler standards. I’d applaud but some doofus will surely replace him. Way of the world.
This, by the way, was Box Office Mojo’s early prediction for the weekend:
Not bad, but it overestimated the boys and underestimated the girl. A Hollywood habit.
Weekend Box Office: Welcome Back, Bryan Singer; Go Away, Adam Sandler
Singer eyes the No. 1 spot.
I’m curious how often this happens.
The Rotten Tomatoes score of “X-Men: Days of Future Past” was 91% and it wound up grossing almost that number, $90 million, to win the weekend.
The Rotten Tomatoes score of the new Adam Sandler comedy, “Blended,” was 15% and it wound up grossing almost that, $14 million, to finish a distant third for the weekend.
Would be nice if this kind of correlation happened more often. Hollywood would strive to make better movies. But I know it’s a fluke.
Welcome back, Bryan Singer. That opening for “X-Men: Days of Future Past” is the second-best opening ever for an X-Men movie—surpassed only Brett Ratner’s abyssmal “X-Men: The Last Stand” in 2006, which grossed $102 million riding the good vibes of Bryan Singer’s previous X-Men movies. Ratner killed those vibes.
Go away, Adam Sandler. “Blended”’s opening is among Sandler’s worst. You sort out his high-brow work (“Spanglish,” “Reign Over Me,” “Punch-Drunk Love”), and ignore his first comedies back in the mid-90s when tickets cost so much less, and it’s actually his second-lowest opener after “That’s My Boy” in 2012. “Boy” went on to gross $36 million, which is about what “Blended” will do. If it’s lucky.
Meanwhile, “Godzilla,” which roared mightily opening weekend, fell mightily this one. It grossed $31.4 million for second place, a fall-off of 66.3%. That’s the second-worst second-weekend fall-off of the year—after “About Last Night,” which fell off 70% after its Valentine’s Day debut.
And in its fourth weekend, “The Amazing Spider-Man 2” fell off by another 53% to gross $7 million. It will surely be the lowest-grossing Spider-Man movie ever:
- Spider-Man (2002): $403 million
- Spider-Man 2 (2004): $373.5 million
- Spider-Man 3 (2007): $336.5 million
- The Amazing Spider-Man (2012): $268 million
- The Amazing Spider-Man 2 (2014): $184 million and counting
That's unadjusted, too. It’s called franchise fatigue, Sony. Give it up. Let Spidey join the Merry Marvel Marching Society already.
Oh, right. Worldwide box office for “TAS2” is currently at $673 million. Thanks for nothing, China and Brazil.
The box office numbers.
Twitter: @ErikLundegaardTweets by @ErikLundegaard