Movies - Awards postsThursday January 29, 2015
The 2015 Césars: Kristen Stewart and the Dueling Saint Laurents
Dueling Saint Laurents: Both Gaspard Ulliel (l) in “Saint Laurent” and Pierre Niney (r) in “Yves Saint Laurent” were nominated best actor, but only Ulliel's film was nominated best film. Between them, they split four supporting nominations.
The nominees for the 40th annual Césars were announced the other day, and the big news on this side was that Kristen Stewart became the first American actress to receive a César nomination since Julia Migenes did so in “Carmen” in 1984. Me, I found it interesting that “Saint Laurent,” a biopic of fashion designer Yves Saint Laurent from 1967 to 1976, received the most nominations, 10, followed closely by “Yves Saint Laurent,” a biopic of the fashion designer from 1958 onward, which received seven. The two movies don't seem to be related, either, in the way of, say, “Mesrine” a few years back. Just how much Yves can one country take? A lot, apparently.
“Les Combattants” sounds interesting to me (nine noms), while I'm there for anything Olivier Assayas directs. Seriously, if any of these films showed up at SIFF, I would be there. A Césars Night at SIFF would be fun.
The Césars will be broadcast on February 20, two days before the Oscars.
Les Combattants, dir: Thomas Cailley
Eastern Boys, dir: Robin Campillo
La Famille Bélier, dir: Eric Lartigau
Saint Laurent, dir: Bertrand Bonello
Hippocrate, dir: Thomas Lilti
Sils Maria, dir: Olivier Assayas
Timbuktu, dir: Abderrahmane Sissako
Céline Sciamma, Bande De Filles
Thomas Cailley, Les Combattants
Robin Campillo, Eastern Boys
Thomas Lilti, Hippocrate
Bertrand Bonello, Saint Laurent
Olivier Assayas, Sils Maria
Abderrahmane Sissako, Timbuktu
Pierre Niney, Yves Saint Laurent
Romain Duris, Une Nouvelle Amie
Gaspard Ulliel, Saint Laurent
Guillaume Canet, La Prochaine Fois Je Viserai Le Coeur
Niels Arestrup, Diplomatie
François Damiens, La Famille Bélier
Vincent Lacoste, Hippocrate
Juliette Binoche, Sils Maria
Catherine Deneuve, Dans La Cour
Marion Cotillard, Deux Jours, Une Nuit
Emilie Dequenne, Pas Son Genre
Adèle Haenel, Les Combattants
Sandrine Kiberlain, Elle L’Adore
Karin Viard, La Famille Bélier
|Best Supporting Actor
Eric Elmosnino, La Famille Bélier
Jérémie Renier, Saint Laurent
Guillaume Gallienne, Yves Saint LAurent
Louis Garrel, Saint Laurent
Reda Kateb, Hippocrate
|Best Supporting Actress
Marianne Denicourt, Hippocrate
Claude Gensac, Lulu Femme Nue
Izïa Higelin, Samba
Charlotte Le Bon, Yves Saint Laurent
Kristen Stewart, Sils Maria
Match César Nominees with IMDb Synopsis
The nominees for the 40th annual César Awards (the French Oscars, yo), were announced the other day, and the movies on the left are the choices for best film. On the right, the IMDb synopsis, shortened somewhat for space. See if you can match them.
|1. Les Combattants
||A. Benjamin is sure he will become a great doctor, but his first experience in his father's service does not turn out the way he hoped.|
|2. Eastern Boys
||B. An actress comes face-to-face with an uncomfortable reflection of herself when she takes part in a revival of the play that launched her career 20 years earlier.|
|3. La Famille Bélier
||C. A girl, who lives with her deaf-mute parents, discovers that she has the gift of singing.|
|4. Saint Laurent
||D. A cattle herder and his family find their quiet lives—typically free of Jihadists—abruptly disturbed.|
||E. Arnaud's summer looks set to be a peaceful one ... until he runs into Madeleine.|
|6. Sils Maria
||F. Yves Saint Laurent's life from 1967 to 1976, when the famed fashion designer was at the peak of his career.|
||G. Muller, a discreet man in his late fifties has his eye on Marek, but doesn't know he has fallen into a trap.|
Answers in the comments field.
SAG Divvies Up the 2014 Acting Awards
The second industy award has spoken. The Screen Actors Guild, or SAG, has given out its awards for, among others, film actor, actress, supporting actor and actress, as well as—unique to SAG—the cast award.
The cast award is seen as SAG's best picture, and it's often used to try to predict Oscar winners for best picture. It shouldn't. It's the least accurate: only 50 percent over 18 years. Past recepients have included “The Help,” “Inglorious Basterds,” “Little Miss Sunshine” and “The Full Monty.” It's a whole other category.
Where SAG and the Academy agree most? Lead actor: 16 of 20, and the last 10 in a row.
Indeed, over the last five years, SAG and the Academy have matched up almost exactly:
|Lead Actor||Lead Actress||Supporting Actor||Supporting Actress|
|2013||Matthew McConaughey||Cate Blanchett||Jared Leto||Lupita Nyong'o|
|2012||Daniel Day-Lewis||Jennifer Lawrence||Tommy Lee Jones||Anne Hathaway|
|2011||Jean Dujardin||Viola Davis||Christopher Plummer||Octavia Spencer|
|2010||Colin Firth||Natalie Portman||Christian Bale||Melissa Leo|
|2009||Jeff Bridges||Sandra Bullock||Christoph Waltz||No'Nique|
Only 2012 supporting actor (Oscar: Christoph Waltz for “Django Unchained”) and 2011 lead actress (Meryl Streep for “The Iron Lady”) haven't matched, and I'd have to give it to SAG on both of them.
So get ready if you're in any Oscar pools. Here are this year's winners:
|Lead Actor||Lead Actress||Supporting Actor||Supporting Actress|
|2014||Eddie Redmayne||Julianne Moore||J.K. Simmons||Patricia Arquette|
Cast went to “Birdman.”
All are frontrunners with maybe the exception of Redmayne (many are predicting Keaton) so I could see the Academy matching this exactly. We'll know in a month.
Quote of the Day
“All these films have a believable voice and would not exist if there were not an [individual] expression behind them. And only the people who made it could have made it; they were not designed as products but as real expressions of human emotions.”
--Alejandro G. Iñárritu, accepting the Producers Guild of America award for best film of 2014, and talking about the other talent in the room—specifically, one imagines, Richard Linklater's “Boyhood,” Wes Anderson's “The Grand Budapest Hotel,” Bennet Miller's “Foxcatcher,” Damien Chazelle's “Whiplash” and Dan Gilroy's “Nightcrawler.” Pretty much my feelings. Some have complained that 2014 was a weak year for movies but I think the opposite. Even better, those films have been recognized not just by critics but by the industry, which tends to recognize and reward corporate products.
And the Producers Guild of America Award Goes to ...
Most of the pundits assumed “Boyood.” Maybe because the critics awards generally went to “Boyhood.”
The PGAs, for what it's worth, often presage Oscar's best picture winner. At least they have 17.5 times out of 25:
|Year||PGA: Best Picture|
|2013||Gravity/12 Years a Slave|
|2010||The King's Speech|
|2009||The Hurt Locker|
|2007||No Country for Old Men|
|2006||Little Miss Sunshine|
|2003||Lord of the Rings: Return of the King|
|1998||Saving Private Ryan|
|1996||The English Patient|
|1992||The Crying Game|
|1991||The Silence of the Lambs|
|1990||Dances with Wolves|
|1989||Driving Miss Daisy|
SAG is tomorrow night, the DGAs take place on February 7. And if you're wondering if a film has ever won the PGA and DGA and not the Oscar, the answer is yes: three times. In 1995, the GAs went for “Apollo 13” (instead of “Braveheart”), in '98 for “Saving Private Ryan” (instead of “Shakespeare in Love”) and in 2005 for “Brokeback Mountain” (instead of You Know What.) Each time, I'd argue, Oscar blew it.
The PGAs went a different route than the Academy in two other movie categories this year. For best animated feature, it chose “The LEGO Movie,” which the Academy failed to nominate. And in best documentary, it went with “Life Itself,” about the life and times of Roger Ebert, which ditto.